Manufacturer
Chalk time alcohol
Kreidezeit Alcohol (ethyl alcohol, wine spirit) is a fermented alcohol which is distilled from the fermentation of plant parts containing sugar or starch, following the addition of a specific yeast (as in beer or wine production). Product information Safety data sheet The product has numerous applications. For example, Kreidezeit products dissolved in alcohol (e.g. shellac isolating primer) can be diluted, and tools soiled with such substances can also be cleaned with it. It is also ideal for stain removal and degreasing surfaces. Furthermore, it can be used to remove mould and to dissolve alcohol-soluble natural resins such as shellac and copal. For tax reasons, so-called denaturants are added to alcohol intended for technical applications; these render it undrinkable or, if swallowed, cause immediate vomiting, as a spirits duty is levied on pure alcohol when used as a beverage.Full composition Ethyl alcohol (96%), isopropanol, Bitrex, methyl ethyl ketone
Content: 0.5 Litre (€15.00 / 1 Litre)
€7.50*
Kreidezeit mould cracker, bottle 250 ml, biocide-free, diffusion-open, solvent-free
Mouldcracker binds in fungal spores mineral-based, is biocide-free, diffusible, non-yellowing and free from solvents, organic binders and synthetic resins.Consumption per m² approx. 0.1 - 0.2 litres on plasterConsumption per m² approx. 0.06-0.1 l on emulsion paintsProduct information Safety data sheetThe alkaline environment created by the mould cracker prevents new growth in the medium term.Suitable for use on untreated mineral plasters, concrete, stone, masonry, synthetic emulsion paints and firmly bonded natural wall paints.PropertiesOdourless and emission-freeBiocide-freeNon-yellowingPrevents microbial infestation and fungal growth in the medium termalkaline (pH 12.5)specific weight 1.18non-flammableeasy to processveganFull declarationWater, silicon dioxide, lithium oxide, silica sol, citric acidProcessingProcessing and drying temperature: between 5 and 30 °C.Binding of fungal spores on absorbent plaster: Apply Mould Cracker once or twice diluted 1:1 with water carefully with a brush to the infested areas and approx. 50 cm around them.Binding of fungal spores on plastic dispersion paints: Apply Mould Cracker undiluted carefully with a brush. Sweep off any whitish efflorescence after approx. 2 hours. A glossy appearance is normal on this surface.Then paint over twice with swamp lime paint.Drying time in a normal climateDry after 4 to 6 hours. Can be recoated after 12 hours at the earliest.Suitable toolsBrushes, paintbrushes.Cleaning the toolsImmediately after use with water. Store tools in water during work breaks.
Content: 0.25 Litre (€48.40 / 1 Litre)
€12.10*
Clay colour (wine)
Kreidezeit Clay Paint is easy to apply and provides excellent coverage with a velvety matt finish for interior walls and ceilings. Low-odour, antistatic, highly vapour-permeable, free from preservatives and synthetic resin binders. Suitable for application on clay plaster and all other sound plasters, as well as on woodchip wallpaper, plain paper wallpaper, non-woven wallpaper and concrete. CoverageOne pack is sufficient for up to 8m² per coat CompositionWhite clay, marble powder, cellulose fibres, vegetable casein, soda, methylcellulose, earth and mineral pigmentsPreparing the paintStir the contents of the bag into 1 litre of cold water using a drill fitted with a whisk attachment. Leave to stand for at least 30 minutes, then stir thoroughly once more. Dilute further with water as required.ApplicationPrime absorbent surfaces with casein primer (Item 145). Apply the clay paints evenly and without streaks using a roller or paintbrush.Storage Store in a dry place; will keep for at least 1 yearCautionBe aware of possible allergies to natural substances. The natural raw materials used may cause a characteristic product odour! Store out of the reach of children.
€9.99* €11.50*
Kreidezeit alum priming salt, 3 kg
Alaun priming salt, to be mixed with water, acts as a barrier primer against discolouration and stains seeping through from old substrates. These include, for example, water marks, discolouration from residual paste and the like.Product information Safety data sheet Alum, also known as potassium sulphate, is a salt that is highly soluble in warm water. It is used, amongst other things, as a haemostatic agent in shaving sticks, as a deodorant crystal or as a primer in distemper painting.The sealing effect results from chemical reactions with lime that has not yet set, low solubility in cold water, and the closure of plaster capillaries. It should be noted that the chances of success increase the faster the coat of paint dries. As a rule, the salt cannot be used to treat nicotine stains either, and it scarcely exhibits its barrier properties on old plaster.It is advisable to treat lime plasters and lime paints with alum shortly after they have dried, as this improves the barrier effect. Applying a thick layer of filler to primed surfaces is not recommended, as the drying time may be too long and the moisture could cause the alum and the bound pigments to dissolve again. An advantage over comparable products is that alum has only a minor effect on the surface’s vapour absorption.Success cannot be guaranteed. However, the chances of success are so high that it is worth trying, and this depends directly on the work being carried out professionally. Further information can be found in the product information and the safety data sheet.Properties Salt to be mixed with water barrier vapour-permeable Solvent- and emission-free, odourless reduces absorbency hardening acidic, pH 3–3.5 in a 10 per cent solution mildly disinfectant vegan Full ingredient list 100% potassium aluminium sulphate x 12 H₂OPreparing the primer Dissolve the primer salt in warm water whilst stirring (time: approx. 5 mins). The warmer the water, the more salt dissolves. A sediment of salt crystals is normal and indicates that the solution is saturated. Do not use the sediment in the mixture. Water requirement: Dissolve approx. 100 g of alum priming salt in 1 litre of water. Substrate requirements Surfaces must be completely dry and absorbent! Application Allow new lime plaster or lime paint to dry out completely. Apply the alum solution until the substrate is saturated (brush or spray on, do not roll!). Application temperature at least 8°C. Allow to dry completely. Sweep away any excess alum (salt crystals). Paint over with Kreidezeit lime putty paint, lime bonding plaster, lime finish or another suitable Kreidezeit wall paint. Ensure rapid drying. Drying time Dry and ready for further work after 24 hours at the earliest, depending on room conditions Suitable tools Suitable tools include good-quality façade and ceiling brushes. Do not spray or roll. Cleaning the tools With water immediately after use.
Content: 3 Kilogram (€13.93 / 1 Kilogram)
€41.80*
Kreidezeit balsamic turpentine oil
Balsam turpentine oil, which is extracted from various species of pine by steam distillation, can be used to dilute oily Kreidezeit products such as wood glazes, stand oil paints, hard oils and rag wax, as well as natural oils such as linseed oil varnish, linseed oil and linseed oil stand oil, as well as for cleaning tools soiled with such products. This clear, low-viscosity oil is characterised by a distinctive and intense odour and can also be used for stain removal, degreasing surfaces and dissolving terpene-soluble natural resins such as colophony and dammar. Product information Safety data sheetWith an annual production of approximately 300,000 tonnes, balsam turpentine oil is one of the most significant essential oils in terms of volume. The USA is the main producer, accounting for around half of this volume, but the countries of the former USSR, Scandinavia, China, Portugal and Spain also supply a large proportion.Balsam turpentine oil is the most environmentally friendly form of turpentine oil.
€18.80*
Kreidezeit Carnauba Wax Emulsion (Concentrate)
The Kreidezeit Carnauba Wax Emulsion Concentrate is suitable for oiled and waxed surfaces. It revitalises dull surfaces through regular wiping and provides basic protection against signs of wear and tear; it can also be used on its own for surfaces not subject to heavy wear: the interiors of wooden cupboards, panelling and beams. For indoor use only.Product informationThis basic protection for oiled and waxed surfaces (wood, cork, stone, ceramics) and linoleum acts as a barrier against mechanical wear, water and dirt/dust. The Kreidezeit Carnauba Wax Emulsion restores a silky sheen and a fresh appearance to visually worn surfaces. Stand-alone treatment for untreated interior surfaces of wooden cupboards. Dries virtually odourless and without yellowing. Can be easily wiped clean. A stand-alone treatment for untreated wooden beams and panelling. Gives a silky appearance without adding excessive sheen. Provides light protection against dirt and liquids. Makes the surface anti-static, so dust can be removed more easily. The Kreidezeit Carnauba Wax Emulsion is self-shining and therefore eliminates the need for polishing; however, further polishing can enhance the shine. It is very easy to mix with water as a solvent and is therefore extremely economical and easy to apply.Carnauba wax is derived from a Brazilian palm species, where the wax film acts to protect the leaves from water during the rainy season and prevents them from drying out in summer.Properties Dirt- and water-repellent breathable, anti-static self-shining low yellowing Water-dilutable (water is the solvent) Pleasant odour quick-drying easy to apply vegan Full list of ingredients Water, carnauba wax, emulsifier based on natural fatty acids, food preservative: potassium sorbate (E202).The product must not be used undiluted! It is recommended to carry out test areas before applying to large surfaces to assess the product’s suitability and effect on the respective substrate. Use the emulsion sparingly on smooth floors (risk of slipping)! Do not use on heavily used surfaces such as floors and worktops without prior oil treatment! Wiping care Apply as required to dull surfaces! Glossy surfaces do not require maintenance. Add 1–2 tablespoons of carnauba wax emulsion to 5 litres of lukewarm mopping water and wipe the surface until it is just damp. Leave to dry. No polishing required. Basic protection for newly oiled surfaces Observe the specified curing time for the pre-treatment. Dilute 1 part carnauba wax emulsion with 2 parts water and apply very thinly using a lint-free, soft cloth or a wide, soft brush. Leave to dry. The process can be repeated if necessary. If required, polish further with a soft cloth or pad. Treatment of wooden beams/panelling and the inside of cupboards Sand untreated wood (P100–120) and remove any dust. Dilute 1 part carnauba wax emulsion with 4 parts water and apply evenly with a soft sponge or brush. Leave to dry. The process may be repeated if necessary. If necessary, polish further with a soft cloth or pad. Intermediate sanding (P120) may be required. Drying times approx. 1–2 hours at 20 °C.
Content: 0.5 Litre (€22.62 / 1 Litre)
€11.31*
Kreidezeit casein primer
Kreidezeit casein primer has a wide range of applications. This colourless, transparent primer can be used for subsequent coats of paint, as well as for Kreidezeit lime paints, plasters and casein paints in interior applications.Product information Safety data sheetThe major advantage of this primer is that it does not reduce the vapour permeability of plasters (sD value < 0.01 m), making it ideally suited for clay and lime plasters.The product reduces the absorbency of highly absorbent substrates and evens out differences in absorbency between substrates.Areas of applicationSuitable for use on all untreated and absorbent substrates such as clay, lime, lime-cement and gypsum plasters, plasterboard and gypsum fibre boards, stone and concrete. Recommended for priming absorbent existing coatings prior to renovation: e.g. Kreidezeit casein paints, clay paints, lime putty paints and emulsion paints. Not suitable for any smooth, non-absorbent surfaces or substrates subject to persistent damp. For the transparent consolidation of plasters, particularly clay plasters in interior applications; test areas must be applied in such cases.Further use of the product within paint and plaster systems is described in the relevant product information.PropertiesPowder to be mixed with waterReduces the absorbency of highly absorbent substrates and evens out variations in the substrate’s absorbencyStrengthens substrates prone to slight sandingExcellent penetrationColourless, transparentEasy to applygoes a long wayHighly vapour-permeablefree from preservativesPaint residues are compostableFull list of ingredientsCasein, sodaMixing the casein primerA 10-litre bucket and a mixing device (drill + whisk) are best suited for mixing the casein primer. Add the contents of the casein primer sachet (250 g) to 3 litres of clean, cold water, stirring constantly. Make sure that all lumps are stirred out. After leaving it to soak for approx. 30 minutes, stir thoroughly once more and dilute with 5 litres of water. ApplicationApply the casein primer evenly and generously. Apply only as much liquid as the substrate can absorb. Any excess (wet, glossy patches) must be wiped off with a cloth before it dries. Application temperature: at least 8°C. The mixed primer must be used on the same day. Under no circumstances should primer with a foul or putrid odour be used: risk of persistent odour problems even after drying! Drying time in normal conditions Dried after approx. 8 hours at 20°C and ready for overcoating with lime or casein-based paints or plasters. Suitable tools Suitable tools include good-quality natural-bristle façade and ceiling brushes. Do not spray casein primer or apply it with a roller. You will find good-quality façade and ceiling brushes in our range. Façade paintbrush, lime paintbrush, ceiling brushCleaning the tools with water immediately after use.
Content: 0.25 Kilogram (€54.80 / 1 Kilogram)
€13.70*
Kreidezeit clay paint 20 kg
Kreidezeit Clay Paint is a wall and ceiling paint with excellent coverage that gives surfaces a unique and soft finish.Coverage and yield On a smooth surface, consumption is approximately 125g of powder per m² . The following coverage figures apply to the various pack sizes: - 2 kg – 16 m²- 7.5 kg – 60 m²- 20 kg – 160 m²Brochure Product informationKreidezeit clay paint is low-odour and free from preservatives and synthetic resins. It is very easy to apply for interior painting. The clay paint can be applied to all load-bearing and absorbent plasters (clay, lime, gypsum, cement), filling compounds, woodchip wallpaper, plain paper wallpaper, non-woven wallpaper, plasterboard, gypsum fibreboard and concrete. The paint consists of natural white clay and light-coloured marble powder, which creates a very natural-looking surface made from genuine clay with a matt and soothing finish. If desired, the clay paints can be tinted using Kreidezeit pigments, allowing for individual designs.It is also suitable for use on firmly adhering, matt and absorbent emulsion paints, provided test areas have been carried out with satisfactory results.For damp rooms, we recommend Kreidezeit lime putty paint.PropertiesPowder to be mixed with waterColour: whiteLow odourAntistaticHighly permeableGood coverageCan be repainted multiple timesfree from preservativesfree from synthetic resin bindersveganFull list of ingredientsWhite clay, marble powder, chalk, cellulose fibres, vegetable casein, soda, methylcellulosePrimerPrime all plasters, fillers, skimmed plasterboard, concrete and old emulsion paints with Vega Primer or casein primer and allow to dry thoroughly. Do not prime non-woven or paper wallpaper.Mixing the paint Stir the powder into the specified amount of clean, cold water (1.00–1.10 litres per kg of powder) until the mixture is lump-free. Use a powerful drill with a whisk attachment for this. Leave to swell for at least 30 minutes and stir thoroughly once more before application.ApplicationApplication temperature: at least 8°C. Stir occasionally during application.Two coats are usually required for full coverage. Do not attempt to cover dark or high-contrast substrates with just one coat; applying the paint too thickly can cause damage to the finish! Allow previous coats to dry completely before repainting. During application, clay paints are translucent; they only achieve full coverage once dry. Brushing: Apply the paint evenly using a cross-hatch technique with a facade brush. Rolling: First apply generously and evenly using a criss-cross motion; immediately afterwards, roll in one direction without applying any further paint.
Content: 20 Kilogram (€8.85 / 1 Kilogram)
€176.91*
Kreidezeit Floor Hard Oil
The Kreidezeit Floor Hard Oil is a tried-and-tested all-purpose oil suitable for a wide range of applications; it is made from natural products and contains no ‘hidden’ alkyd resins. It offers robust, reliable protection for almost all types of wood and wooden surfaces indoors and can be used, for example, on floors, worktops, tables, furniture, beams, the inside of windows, panelling and much more.Coverage per coat: 12 m² Consumption per m²: 0.06 l Exact consumption should be determined on site.Product informationThanks to its high linseed oil content, the product penetrates deeply into even the smallest wood pores and offers a long ‘open’ working time. The use of natural balsam turpentine oil also offers the advantage that this hardwood floor oil can be used on almost all types of wood and wooden surfaces, including tannin-rich and dense woods. The product can be applied over all Kreidezeit oils, glazes and waxes and can also be tinted with earth and mineral pigments if required. To do this, first mix a small amount of the product with the pigments and then stir it into the main batch.Alternatively, the product can be tinted in any proportion with stand oil paint. Properties hard-wearing, dirt- and water-repellent contains solvents, very economical does not crack or become brittle Vapour-permeable, antistatic, warm to the touch transparent, honey-coloured, enhancing Excellent penetration easy to apply, easy to repair suitable for children’s toys in accordance with EN 71-3 saliva- and sweat-resistant in accordance with DIN 53160 cobalt-, lead- and barium-free vegan Full list of ingredients Linseed oil, balsam turpentine oil, linseed oil stand oil, wood oil stand oil, rosin glycerine ester, manganese drier Application Shake the product briefly before use. Kreidezeit Hardwood Floor Oil is applied in two coats with an intermediate drying period. Intermediate sanding may be required before the second coat. Mix containers from different batch numbers together before use. The product must not be poured onto surfaces! Clean and dust off untreated substrates. Kreidezeit Hardwood Floor Oil is ready to use and is applied undiluted. 1. Initial sanding Sand the wood (grain size P 80–100) and round off the edges. Do not sand any finer than this, as the wood will otherwise become compacted and may not absorb enough oil. It is best to ‘open up’ new, smooth, planed or finely pre-sanded wood by sanding. Remove all dust thoroughly after sanding. 2. First coat a) Manual application: Apply Kreidezeit Hardwood Floor Oil evenly using a brush, short-pile roller, cloth or sponge. After 10–20 minutes, rub the entire treated area thoroughly with a dry, lint-free cloth until the surface has an even, silk-matt finish. b) Machine application: Apply Kreidezeit Floor Hard Oil using a short-pile roller. After allowing the oil to soak in for 10–20 minutes, rub the entire treated area thoroughly with a soft pad until the surface has an even, silky-matt finish. Change the pads in good time once they become saturated. When rubbing, ensure that any oil that has not been absorbed is completely removed, as otherwise shiny or sticky patches may remain. Kreidezeit Hardwood Floor Oil must penetrate the wood completely and must not form a film on the surface. 3. Intermediate sanding (optional) Intermediate sanding is only necessary if the surface has dried rough after the first coat, e.g. due to raised wood fibres. Sand with sandpaper (grain size P 100–120) in the direction of the grain. Remove all dust thoroughly after sanding. 4. Second coat Repeat the procedure as for the first coat. 5. Wax treatment Oiled floors generally do not require a wax treatment. To enhance the shine, a final treatment with Kreidezeit Carnauba Wax Emulsion may be carried out after 48 hours at the earliest. To do this, dilute 1 part emulsion with 2 parts water, apply evenly and thinly, allow to dry and polish as required. Drying time Dry and ready for further work at 20 °C and 60% relative humidity after approx. 24 hours (or 48 hours on tannin-containing substrates, such as oak, etc.). High humidity, cold temperatures and tannin-containing substrates significantly prolong the drying time. Fully cured after approx. 4 weeks. Handle with care and protect from water during this period. Suitable tools Varnish brushes / flat brushes, short-pile rollers (Magic Felt, item 6517), lint-free cloths, solvent-resistant plastic sponges. For larger areas: floor machines with soft pads – do not apply the product with a surface/floor trowel. Cleaning the tools Wash immediately after use with balsam turpentine oil, followed by Olive Care Soap or Corfu Soap.
Content: 0.75 Litre (€30.28 / 1 Litre)
€22.71*
Kreidezeit floor hard wax, 1 litre
Kreidezeit Hard Floor Wax – A silky-gloss finish for oiled surfaces Kreidezeit Floor Hard Wax is designed for treating oiled surfaces, providing additional protection for floors, furniture, doors and much more. This silky-gloss protection shields oiled surfaces (wood, cork, stone, ceramics) and linoleum from dirt and water.The resulting hardness is largely due to the carnauba wax it contains, which is the hardest natural wax.The floor hard wax must not be used in wet rooms, on kitchen worktops or on untreated, absorbent surfaces.Product informationProperties Ready to use, paste-like hard-wearing, dirt- and water-repellent Transparent, with a satin sheen vapour-permeable, antistatic, warm to the touch easy to apply, easy to repair saliva- and sweat-resistant in accordance with DIN 53160 free from cobalt, lead and barium Full list of ingredients Linseed oil, balsam turpentine oil, carnauba wax, beeswax, linseed oil stand oil, wood oil stand oil, manganese drierApplication Apply the hard floor wax evenly and very thinly using a lint-free cloth. Avoid applying too much. For larger areas: either apply the hard floor wax in patches using a trowel, or heat it to approx. 60 °C, drizzle it onto the floor and then work it in evenly using a floor polisher. After 4–6 hours at the latest, the surface must be polished with a lint-free cloth, a brush, a floor polisher’s broom or a polishing machine until the surface has a satin sheen. Application temperature: at least 10 °C. Any dried-on excess that has not been removed is difficult to polish off later and will remain as a white film. This excess can be removed using a cleaning pad (machine) or a scouring pad (Scotch-Brite). Drying time After 4–6 hours at approx. 20 °C, the waxed surface must be polished. After approx. 24–48 hours, the wax is fully cured. Suitable tools Lint-free cloths, surface/floor scrapers. For larger areas: floor polishers Cleaning the tools Wash immediately after use with balsam turpentine oil, followed by Olive Care Soap or Corfu Soap.
€29.00*
Kreidezeit garden furniture oil
Kreidezeit Garden Furniture Oil is made from natural and renewable raw materials. It is designed as an initial treatment for new garden furniture and can also be used for routine maintenance and to refresh wood that has already been oiled. The biocide-free Kreidezeit Garden Furniture Oil is dirt- and water-repellent, has excellent penetration and high diffusibility.Product information Safety data sheetThe garden furniture oil is colourless. It penetrates deep into the wood, revives the colour and brings out the wood grain.If required, pigments can be added to the garden furniture oil so that untreated wood is protected against greying and greyed wood can be restored to its original colour. Not suitable for treating varnished surfaces.PropertiesDirt- and water-repellentcontains solvents, very economicaldoes not crack or become brittlebreathable, antistatic, warm to the touchtransparent, honey-coloured, enhancingExcellent penetrationeasy to apply, easy to repairsuitable for children’s toys in accordance with EN 71-3saliva- and sweat-resistant in accordance with DIN 53160free from biocidesfree from cobalt, lead and bariumveganFull list of ingredientsLinseed oil, linseed oil stand oil, wood oil stand oil, rosin glycerine ester, balsam turpentine oil, manganese drierApplicationShake the product briefly before use. On untreated wood, apply Kreidezeit Garden Furniture Oil twice, allowing the surface to dry in between coats. Light sanding may be required before the second coat.Mix containers with different batch numbers together before use. Do not pour the product onto surfaces!Clean and dust off untreated surfaces.Kreidezeit Garden Furniture Oil is ready to use and is applied undiluted. Please note: Garden furniture should be fitted with rust-proof metal screws and fittings; otherwise, dark discolouration may occur when the oil is reapplied.1. Initial sandingSand new and weathered wood (grain size P 80–100) and round off the edges. Do not sand any finer than this, as the wood will otherwise become compacted and may not absorb enough oil. It is better to ‘open up’ new, smooth, planed or finely pre-sanded wood by sanding. Remove all dust thoroughly after sanding.2. First coatApply Kreidezeit Garden Furniture Oil evenly with a brush, cloth or sponge. After 10–20 minutes, rub the entire treated area thoroughly with a dry, lint-free cloth until the surface has an even, silk-matt finish. When wiping, ensure that any oil that has not been absorbed is completely removed, as otherwise shiny or sticky patches may remain. Kreidezeit Garden Furniture Oil must penetrate the wood completely and must not form a film on the surface. 3. Intermediate sanding (optional) Intermediate sanding is only necessary if the surface has dried rough after the first coat, e.g. due to raised wood fibres. Sand with sandpaper (grain size P 100–120) in the direction of the grain. Remove all dust thoroughly after sanding. 4. Second coatRepeat the procedure as for the first coat. Drying time Dry and ready for recoating at 20 °C and 60 per cent relative humidity after approx. 24 hours (or 48 hours on tannin-containing substrates, such as oak, etc.). Suitable tools Varnish brushes, solvent-compatible sponges, cotton clothsCleaning the tools Wash immediately after use with balsam turpentine oil, then rinse with Olive Care Soap or Corfu Soap.
Content: 0.5 Litre (€25.60 / 1 Litre)
€12.80*
Kreidezeit linseed oil varnish, solvent-free
Kreidezeit linseed oil varnish is a solvent-free surface protection product that can be used indoors on low-traffic wooden surfaces such as furniture, doors, beams, panelling and much more. The product can also be used as a primer for Kreidezeit stand oil paints and wood glazes. Product information Safety data sheet The key ingredient is linseed oil, which is extracted from the flax plant by cold-pressing its seeds under high pressure. The oil yield can be as high as 90 per cent. Although linseed oil does dry when exposed to oxygen, it takes several weeks to dry thoroughly; for this reason, drying agents are added to the linseed oil to reduce this time to 24–48 hours.Areas of applicationUsed undiluted as a solvent-free surface protection for low-traffic wooden surfaces indoors; classic oiled finish: furniture, doors, beams, panelling, and much more. Suitable as a primer for subsequent coats of: opaque stand oil paints on all untreated woods pigmented wood stains on highly absorbent or weathered woodsTo do this, dilute linseed oil varnish in a 1:1 ratio with balsam turpentine oil (Item 447) (=> half-oil).For the production of oil paints according to your own recipes. When applying to very dense, low-absorbent and tannin-rich wood species, slight dilution with natural balsam turpentine oil is recommended. Linseed oil guarantees a long ‘open’ working time and, thanks to its small molecular size, penetrates deeply even into the smallest wood pores. This enables excellent bonding between the substrate and subsequent oil coats.Propertiesdirt- and water-repellentresin-free, solvent-freevery good bonding with subsequent oil-based coatsdoes not crack or become brittleVapour-permeable, antistatic, warm to the touchtransparent, honey-coloured, enhancingExcellent penetrationeasy to apply, easy to repairsuitable for children’s toys in accordance with EN 71-3saliva- and sweat-resistant in accordance with DIN 53160cobalt-, lead- and barium-freeveganFull list of ingredients Linseed oil, manganese drierSurface preparation / initial sandingRemove resin blisters and old synthetic resin-based coatings. Sand new and weathered timber (grain size P 80–100), rounding off the edges. Do not sand any finer, as this will compact the wood and prevent it from absorbing enough oil. It is better to ‘open up’ new, smooth, planed or finely pre-sanded timber by sanding. Remove all dust thoroughly after sanding.ApplicationShake the product briefly before use.Kreidezeit linseed oil varnish is applied once or twice, allowing the surface to dry in between coats. Intermediate sanding may be necessary before the second coat. Mix containers from different batch numbers together before use. The product must not be poured onto surfaces!Clean and dust untreated substrates.To ensure good penetration, it is recommended to dilute the product with at least 20% balsam turpentine oil for the first coat on very dense, low-absorbent and tannin-rich woods (e.g. oak).Please note: Wood used outdoors should be fitted with stainless steel screws and fittings; otherwise, dark discolouration may occur when the surface is treated with oil. Application and drying temperature: at least 10 °C for at least 48 hours. 1. First coat Apply Kreidezeit linseed oil varnish evenly using a brush, short-pile roller, cloth or sponge. After 10–20 minutes, rub the entire treated area thoroughly with a dry, lint-free cloth until the surface has an even, silk-matt finish.When wiping, ensure that any oil that has not been absorbed is completely removed, as otherwise shiny or sticky patches may remain. Kreidezeit linseed oil varnish must penetrate the wood completely and must not form a film on the surface. 2. Intermediate sanding (optional) Intermediate sanding is only necessary if the surface has dried rough after the first coat, e.g. due to raised wood fibres. Sand with sandpaper (grain size P 100–120) in the direction of the grain. Remove all dust thoroughly after sanding. 3. Second coat (optional) A second coat may be necessary if used on its own indoors, or if a subsequent coat of stand oil paint is required on highly absorbent or weathered wood. Repeat the process as for the first coat. 4. Subsequent coats For subsequent coats, follow the product instructions for stand oil paint or wood stain. 5. Wax treatment Oiled surfaces generally do not require a wax treatment. To enhance the sheen, a final treatment with Kreidezeit Carnauba Wax Emulsion may be carried out after at least 48 hours. To do this, dilute 1 part emulsion with 2 parts water, apply evenly and thinly, allow to dry and polish as required.Drying time Dry and ready for further work at 20 °C and 60% relative humidity after approx. 24 hours (or 48 hours on tannin-containing substrates, such as oak, etc.). High humidity, cold temperatures and tannin-containing substrates significantly prolong the drying time. Fully cured after approx. 4 weeks. During this time, use with care and protect from water. Suitable toolsVarnish brushes / flat brushes, short-pile rollers (Magic Felt, item 6517), lint-free cloths, solvent-resistant plastic sponges Cleaning the toolsWash immediately after use with balsam turpentine oil, then rinse with olive care soap or Corfu soap.NoteDue to the natural oil content, a dark yellowing may occur on surfaces with little exposure to light. A characteristic odour is emitted whilst the natural oils are drying, but this will dissipate over time. Any iron filings left on the surface may cause discolouration when the product is reapplied. Not recommended for use on the interior surfaces of closed cupboards; these are best treated with shellac varnish, carnauba wax emulsion or Corfu soap.To tint the product, Kreidezeit linseed oil varnish can be mixed with Kreidezeit earth and mineral pigments; to do this, first mix the pigments with a small amount of the linseed oil varnish and only then add them to the total volume. Instructions
Content: 0.5 Litre (€15.80 / 1 Litre)
€7.90*
Kreidezeit Marseille Soap
The Kreidezeit Marseille soap is purely plant-based and can be used to clean floors and oiled surfaces, as well as for cleaning brushes and rollers and for hand washing. Thanks to its good solubility in cold water, it can also be used as a wood floor soap.Product informationIt is finely grated to increase its solubility. Marseille soap is versatile in its uses, as it is produced without the addition of colourings, fragrances or preservatives and contains no artificial surfactants.Properties finely grated, free-flowing purely plant-based easily soluble in hot water moisturising, with a nourishing effect does not lather free from colourings, fragrances and preservatives free from additional surfactants vegan Full list of ingredients Sodium soaps derived from coconut and palm kernel oil, water, saltFloor cleaning Cleaning of all types of smooth floors, particularly for oiled or waxed cork, wood and tiled surfaces, as well as for linoleum. To do this, pour 1 litre of boiling water (from a kettle) over 2 tablespoons of Marseille soap and stir until the soap has dissolved. Then dilute with 7 litres of water and clean the floor as usual. Cleaning brushes and paint rollers Pour 4–5 tablespoons of Marseille soap into 1 litre of boiling water (from a kettle) and stir until the soap has dissolved. Leave to cool for at least 30 minutes. Thoroughly wash oil-stained brushes and rollers with the soapy solution. Dried-on, oil-stained tools can usually be cleaned by boiling them briefly in the soapy solution. Soaping floors In some parts of Germany, it is common practice to protect softwood floors and tables from dirt by simply ‘soaping’ them. The light colour of the wood is largely preserved at first. Over the years, a beautiful patina usually develops. Dissolve approx. 20 g of Marseille soap in 1 litre of boiling water. Apply the warm soapy solution to the untreated wooden floor using a suitable brush, work it in with a scrubbing brush and leave to dry. Repeat the process if necessary until the desired result is achieved, or until the surface is covered with a very fine film of soap. Depending on the level of wear and tear, the soap application should be repeated from time to time to ensure adequate protection for the wood. Caution: Woods containing tannins, e.g. oak, may darken significantly. It is strongly recommended that test areas be created to assess the result before carrying out work on a large scale.
Content: 1.5 Kilogram (€18.33 / 1 Kilogram)
€27.50*
Kreidezeit mould first aid kit
Kreidezeit Mould First Aid Kit – Eco-friendly emergency treatment for mould infestations The eco-friendly Kreidezeit Mould First Aid Kit is free from biocides and contains everything needed to tackle minor mould infestations.Minor mould infestations are found in the majority of modern homes and can lead to significant health problems. According to the World Health Organisation (WHO), residents of such homes face an increased risk of respiratory infections and asthma, as well as developing allergies. The Kreidezeit Mould First Aid Kit offers a simple solution to this problem. The pack contains entirely eco-friendly, vegan products that are also free from plastic and biocides, and can be used for the consistent prevention and control of mould. Contents: 500 ml Kreidezeit Alcohol 250 ml Mould Buster 1 litre of lime putty paint 1 pair of rubber gloves 1 pair of safety goggles 1 professional flat brush (50 mm) 1 mould information leafletProduct information: Alcohol Safety data sheet: Alcohol Product information: Mould Buster Safety data sheet: Mould Buster Product information on lime putty paint Safety data sheet for lime putty paint Our biocide-free solutionAlcohol removes small mould stains with a one-off treatment. Our pure alcohol can dissolve and remove mould stains quickly and with minimal effort. The fungus is removed from the surface, but this is only a ‘first aid’ measure. Treatment should then be continued as soon as possible using the following products: Mould Buster encapsulates spores, binds them permanently and thus protects against their further spread. At the same time, the surface becomes highly alkaline, which prevents new growth. Schimmelknacker does not cover the surface with colour and should be painted over with lime putty paint when the opportunity arises. It adheres to almost any surface and is also suitable, for example, for treating affected cabinet backs. It remains effective for many months. Due to its long-lasting alkalinity, lime is most effective against fungi. Lime paints are our tried-and-tested solution for the permanent removal and colour-concealment of mould. Two coats are usually sufficient to prevent the mould from returning. Our recommendations apply to fungal infestation covering a maximum of 5 m². In the event of severe infestation affecting entire rooms or even buildings, a specialist should be consulted. If in doubt, you can discuss your situation with our technical advisers. Structural defects and specific building characteristics may impair the effectiveness of the products described.
€40.00*
Kreidezeit mould remediation plaster
The Kreidezeit mould-removal plaster is characterised by its excellent water-absorption capacity and is therefore particularly suitable for balancing out high levels of humidity in rooms and removing mould, as it immediately absorbs condensation.Product information Mould leafletThis tried-and-tested product for combating mould is made from purely natural and mineral-based ingredients and can be applied to almost all mineral surfaces that are solid, absorbent and free from loose particles. These include, for example, lime, lime-cement, lime-gypsum and cement plasters, masonry and stone in interior applications. Application on gypsum plasters, plasterboard and gypsum fibreboards is available on request.Suitable for use on all mineral substrates that are solid, absorbent and free from loose particles, such as lime, lime-cement, lime-gypsum and cement plasters, masonry and interior stonework. Use on gypsum plasters, plasterboard and gypsum fibreboards available on request. Not suitable for wood, wood-based materials, clay plasters, emulsion paints, natural resin emulsion paints, oil-based paint finishes, plastic surfaces, distemper, glossy, non-absorbent or permanently damp substrates. Properties Powder to be mixed with water White, purely mineral finishing plaster of mortar group PI a, made from air-dried lime, marble sand and expanded vermiculite Max. grain size: 1.5 mm Water absorption: 1.0 litres/m² at a layer thickness of 3 mm Vapour-permeable Free from preservatives Can be tinted up to 5 per cent with Kreidezeit pigments Can be recoated multiple times with Kreidezeit lime putty paint vegan Full list of ingredients Mamor hydrated lime, marble sand, expanded vermiculite, cellulose, methylcellulosePriming Pre-wet absorbent substrates to saturation with clean water – preferably lime sinter water (Item 169) – and do not allow them to dry out. Mixing the plaster Stir the powder into the specified quantity of clean, cold water, using a powerful mixer. Leave to stand for at least 15 minutes and stir thoroughly once more before application. Water requirement 0.35 – 0.40 l / 1 kg powder It is normal for the mixed plaster to thicken further. As a general rule, the product should be adjusted on site with water to achieve a consistency suitable for the specific substrate; this may require a slight increase in the amount of water. Application Apply the plaster to the pre-wetted substrate to a thickness of 3–5 mm using a stainless-steel trowel or a notched trowel. Tip: Applying the plaster with an 8 x 8 mm notched trowel and then smoothing it produces a layer thickness of approx. 3 mm. Once the plaster has set slightly, rub it down with a sponge board or wooden trowel. Special notes: During the setting process (2–3 days), the plaster must be allowed to dry slowly. Lightly re-moisten 1–2 times during this period. Take appropriate precautions to prevent the plaster from drying out too quickly. Avoid draughts and direct sunlight. Temperatures during application and curing must not fall below 7°C or exceed 25°C. Maximum application thickness: 10 mm. Subsequent coats Only Kreidezeit lime putty paint must be used as a top coat, as other painting systems may impair the functionality of the render. Drying time in normal conditions At least 1 day per mm of application thickness. Low temperatures prolong the drying time. Suitable tools Recommended from the Kreidezeit range: Venetian trowels, spring steel trowels Cleaning the tools With water immediately after use.
Content: 25 Kilogram (€3.06 / 1 Kilogram)
€76.40*
Kreidezeit pigments
Kreidezeit pigments are characterised by their universally applicable nature and their ability to blend harmoniously with one another. There is a selection of various earth, mineral and spinel pigments available for tinting Kreidezeit wall paints, plasters, oil paints, oil glazes and wall glazes. All pigments are non-toxic and completely lightfast.Product information Kreidezeit pigments: Are suitable for universal useHave an indefinite shelf life when stored in a dry, sealed containerDo not require any preservatives or other additives, unlike conventional colour pastesAre alkali-resistantGenuine earth pigments have a special charmCan be mixed togetherAre lightfast and lime-fastAre compatible with all Kreidezeit bindersYellow ochre, gold ochre, orange ochreA natural weathering product of iron-bearing rocks and minerals. The colouring substance is iron oxide hydrate. It originates in France, but yellow ochre is also widely found elsewhere on Earth.Red ochreEarth pigment produced by firing yellow ochre. The colouring components are iron(III) oxides.Red SienaAn earth pigment produced by firing yellow Terra di Siena. Unlike ochres, Terra di Siena contains a certain proportion of silicates.Dark greenish umberA mixture of green mineral pigments (spinel green, spinel blue, chromium oxide green) and marble powder.Iron oxide pigments (yellow, orange, red, brown, black)Pure synthetic rust, produced via precipitation reactions from an aqueous iron sulphate solution. Very finely ground and extremely pigment-rich. The yellow and orange shades are iron(III) oxides with varying degrees of water of crystallisation. Iron oxide brown contains additional inclusions of iron(II) oxide. The red iron oxides are formed by the loss of water when yellow iron oxide is heated to temperatures ranging from 180°C to over 800°C. Black is a magnetic mixed oxide of iron(II) and iron(III) oxides, known in its natural form as magnetite.The red iron oxide pigments in particular can become cloudy or streaky in lime paints. However, experience shows that they can be worked very well in plasters and filling compounds.UmbresNatural earth pigments; the colouring components are iron hydrates combined with manganese oxide hydrates and alumina silicates. Due to their manganese content, umbres accelerate the drying process in oil paints. Umbres occur in various shades, depending on their iron oxide, manganese oxide and silicate content.Ultramarines (blue, violet)Artificial mineral pigments, produced by heating soda, clay and sulphur. The ultramarine shades are subjected to different firing temperatures during production. Ultramarine violet is a mixture of ultramarine blue and red. They are considered lime-resistant; however, lime products tinted with ultramarines must be applied within 24 hours. In themselves, they are lightfast and weather-resistant, but not acid-resistant.As our atmosphere is slightly acidic today, ultramarine blue has limited suitability for outdoor use (it may lead to black discolouration or even fading).Spinel pigmentsSpinel is a mineral from the oxide class that occurs rather rarely in nature. The chemical formula for spinel is magnesium aluminate; in its pure form, it is colourless. Due to regional variations in the presence of iron, chromium, zinc, cobalt or manganese, spinels come in a wide variety of colours. However, these are relatively pale and lack intense colour.Spinel pigments are so-called mixed-phase pigments and are produced synthetically. In this process, naturally ground spinels are mixed with metal salts (cobalt, antimony, nickel, chromium, titanium) and subjected to temperatures of 1200 to 1600°C in a furnace, during which an ion exchange takes place and the material is enriched and saturated with the metals used. This produces very vivid colours.The metals are incorporated so firmly into the mineral structure that they are no longer bioavailable; in other words, they do not leach out in the human body, during composting or in normal fires. Spinel blue / Spinel turquoise / Spinel mint: cobalt-chromium aluminate Co(Al,Cr)₂O₄ Spinel green: cobalt titanate (Co,Ni,Zn)(Ti,Al)₂O₄ Spinel yellow: Nickel-antimony-titanium oxide (rutile) (Ti,Ni,Sb)O₂ Spinel orange: Chromium-antimony-titanium oxide, rutile (Ti,Cr,Sb)O₂ Sun Yellow is a mixture of Spinel Yellow and Spinel OrangeFor tinting our water-based wall paints, wall glazes, plasters and waxes: first slurry the pigments with a little water until free of lumps, then mix into the desired product. For tinting our GekkkoSOL products: first mix the pigments with a little GekkkoSOL thinner until free of lumps, then mix into the desired GekkkoSOL product.To tint our oil-based paints, glazes, hard oils and waxes: first mix the pigments with a little oil or balsam turpentine oil until smooth and lump-free, then mix into the desired product.
Content: 0.175 Kilogram (€60.57 / 1 Kilogram)
€10.60*
Kreidezeit priming oil (semi-oil)
Kreidezeit Priming Oil (Semi-Oil) is a classic resin-free primer for oil paint finishes, suitable for both interior and exterior use. It contains 50% linseed oil varnish and 50% natural balsam turpentine oil, which means that Kreidezeit (Priming Oil) is vegan, made purely from natural raw materials and contains no ‘hidden’ alkyd resins. Semi-oil primers have been used successfully for centuries as a primer for subsequent oil paint applications, both indoors and outdoors, and remain very popular in painting techniques to this day.Coverage per coat: 10 m²Consumption per m²: 0.07 – 0.1 l Exact consumption should be determined on site.Product information This priming oil can be used on all untreated woods, cork, natural stone, terracotta and neutral plasters, and is suitable for use on furniture, beams, cladding and much more. It is water- and dirt-repellent and, thanks to its high linseed oil content, penetrates the surface as effectively as possible, sealing the wood’s pores. This enables excellent bonding between the surface and subsequent oil-based coats.Also suitable as a stand-alone treatment for low-traffic indoor surfaces (classic oiled finish): furniture, beams, panelling and much more. Thanks to the natural balsam turpentine oil it contains, KREIDEZEIT Priming Oil is ideally suited to all wooden surfaces and types of wood, including tannin-rich and dense woods.Kreidezeit Primer Oil consists exclusively of natural oils. It contains no ‘hidden’ alkyd resins, such as those produced from non-drying oils like rapeseed, soya or sunflower oil. Suitable as a primer for subsequent coats:opaque stand oil paints on all untreated woodspigmented wood glazes on highly absorbent or weathered woods Properties Dirt- and water-repellent resin-free, solvent-based Excellent adhesion to subsequent oil-based coats does not crack or become brittle Vapour-permeable, antistatic, warm to the touch transparent, honey-coloured, enhancing Excellent penetration easy to apply, easy to repair suitable for children’s toys in accordance with EN 71-3 saliva- and sweat-resistant in accordance with DIN 53160 free from cobalt, lead and barium veganFull list of ingredients Linseed oil, balsam turpentine oil, linseed oil stand oil, manganese drier
Content: 0.75 Litre (€22.13 / 1 Litre)
€16.60*
Kreidezeit Shellac Insulating Primer
The Kreidezeit Shellac Insulating Primer is a primer that cures and is used to block through-staining caused by water, rust, soot or nicotine on all absorbent wall and ceiling surfaces, such as plaster, wallpaper, wood and wood-based materials. Product information Safety data sheet Shellac is a natural resin obtained from the secretion of female scale insects, which secrete it onto twigs to protect their offspring. This secretion is then harvested twice a year from the shrubs – which are primarily found in East India and Thailand – yielding different grades of quality. This so-called ‘stock lacquer’ contains 60–80 per cent pure shellac. This results in numerous applications in the pharmaceutical industry (coating for coated tablets), in insulating paints, wood polishes, fabric finishes, chewing gum, inks and much more. Kreidezeit Shellac Insulating Primer can be painted over with Kreidezeit wall paints if required; however, it is unsuitable for use with lime-based plasters and should not be used on damp substrates or where moisture is penetrating. PropertiesInsulating and sealingwhite, opaque, matt provides good grip due to slight surface roughness Quick-drying vapour-tight, non-absorbent easy to apply and economical Can be painted over with many types of paint Full list of ingredients Fermentation alcohol (denatured with MEK, IPA, Bitrex), wax-free shellac, linseed oil varnish, titanium white, talc, quartz, silicic acidApplicationRemove any dirt from the substrate as far as possible (brush off, wash off). Stir the product thoroughly before use and apply a thin, even coat to the dry surface using a brush or roller. One coat is usually sufficient to seal minor stains; for heavy stains, apply 2–3 coats, allowing the surface to dry between coats and without sanding in between.Can be overpainted with Kreidezeit wall paints after approx. 24 hours. For subsequent coats of white wall paint, the isolating primer can be applied selectively. For subsequent coats of coloured wall paint, or coats to be finished with wall glazes, the isolating primer must be applied over the entire surface; otherwise, coloured marks may appear. If glossy patches have formed due to the primer being applied too thickly, the dried shellac isolating primer must be sanded to a matt finish before painting over with wall paints. The product may be thinned with Kreidezeit alcohol up to 10 % vol.Drying timeDust-dry after approx. 30 minutes. Dry and ready for further work after approx. 12 hours at 20 °C.Cleaning of toolsClean immediately after use with alcohol, then wash with Marseille soap, Corfu soap or olive care soap and water.
Content: 0.375 Litre (€42.93 / 1 Litre)
€16.10*
Kreidezeit silvering glaze
The Kreidezeit Silver Glaze is a silver-grey glazing paint. It is free from biocides, weather-resistant and flexible. It is particularly suitable for rough-sawn, brushed timber surfaces used outdoors. Product information Applications include, for example, timber cladding, beams, fences, playground equipment, carports and much more. The glazes are also ideal for wooden decking.What makes Kreidezeit Silvering Glaze special is that it gives wooden surfaces a weathered or aged appearance, resembling silvered softwoods. It gradually weathers on the surface, creating an almost seamless transition to the natural patina of softwoods.Also suitable for decorative purposes indoors.Not suitable for dimensionally stable timber, e.g. windows, doors. DilutionThe product is applied undiluted, but can be thinned with balsam turpentine oil if required.Colour matchingTo achieve further colour shades, the silvering glaze can be mixed with all coloured Kreidezeit wood glazes and stand oil paints. Do not tint with pigments.Properties Ready to use Colour: silver-grey, translucent Does not crack, split or flake weather-resistant and elastic Vapour-permeable Saliva- and sweat-resistant in accordance with DIN 53160 Contains solvents (natural balsam turpentine oil) free from biocides free from cobalt, lead and barium vegan Full list of ingredients Linseed oil, wood oil stand oil, linseed oil stand oil, balsam turpentine oil, rosin glycerine ester, iron oxide pigments, titanium white, aluminium pigment, talc, swelling clay, silica, manganese and calcium driersSubstrate requirementsThe substrate must be untreated, dust-free, clean, dry, grease-free, chemically neutral and absorbent. Application temperature at least 10°C. Wood moisture content < 15%. Do not apply to damp timber! Substrate preparation / initial sanding Remove resin blisters and old synthetic resin-based coatings. Sand (P60–80) or brush smooth or planed timber. Do not sand any finer than this, as this will compact the wood and impair the performance of the glazes. Remove all dust thoroughly after sanding. Priming Surfaces must not be primed before applying the glaze Application Stir the product thoroughly before and occasionally during application. Use a clean brush to remove any glazes that have pooled in corners. Mix containers from different batch numbers together before application. The product must not be poured onto surfaces! Clean and dust off untreated substrates. Kreidezeit Silvering Glaze is applied undiluted. Application and drying temperature: at least 10°C for at least 48 hours. Outdoor use Kreidezeit Silvering Glaze is applied in a single, even coat in the direction of the wood grain. Two coats (with an intermediate drying period) are possible, but this will produce a gloss finish. Indoors and on wooden decking/terrace boards: A preliminary sanding is required, using a grain size of P80–100. Apply Kreidezeit Silver Glaze evenly in the direction of the wood grain. 10–20 minutes after application, rub the entire treated surface with a dry, lint-free cloth until any glaze that has not been absorbed is removed and the surface has an even, silk-matt finish. Caution with grooved/fluted boards: Thoroughly brush any oil that has not been absorbed out of the grooves using a dry brush, otherwise there is a risk of stickiness. Drying time Dry and ready for further work at 20 °C and 60% relative humidity after approx. 24 hours; on tannin-containing substrates (oak, etc.) after at least 48 hours. High humidity, cold temperatures and tannin-containing substrates significantly prolong the drying time. Fully cured after approx. 4 weeks. Suitable tools Varnish brush. Do not spray or roll the product. Cleaning the tools Wash immediately after use with balsam turpentine oil, then rinse with olive care soap or Corfu soap.
Content: 0.75 Litre (€36.55 / 1 Litre)
€27.41*
Kreidezeit solid colour binder
When used in combination with Kreidezeit pigments, the Kreidezeit Full-Tone Binder offers an excellent way to mix full-tone wall paint to your own specifications.Video Product informationDescription Depending on your preference, you can create wall paints using individual pigments or mixtures of two or more pigments. This allows you to mix unique and imaginative colours. This full-colour interior wall and ceiling paint can be applied to all load-bearing and absorbent plasters (clay, lime, gypsum, cement), filling compounds, woodchip wallpaper, plain paper wallpaper, non-woven wallpaper, plasterboard, gypsum fibreboard and concrete, and is also suitable for firmly adhering, matt and absorbent emulsion paints, provided a test area has been applied. Also suitable for firmly adhering, matt and absorbent emulsion paints following the creation of test areas with positive results. The binder is very easy to apply, can be painted over multiple times and is smudge-resistant. It is also a vegan product.The Vollton binder must be mixed with pigments in a 1:1 ratio and must not be used unpigmented as a single coat. Properties Powder to be mixed with water easy to apply low odour Highly vapour-permeable, antistatic free from titanium white smudge-resistant and can be recoated multiple times free from preservatives free from synthetic resin binders vegan Full list of ingredients Chalk, vegetable casein, porcelain clay, cellulose, soda, methylcellulosePrimer Prime all plasters, fillers, skimmed plasterboard, concrete and old emulsion paints with Vega primer or casein primer and allow to dry thoroughly. Do not prime non-woven or paper wallpaper. Mixing the paint The Vollton binder must be mixed with pigments in a 1:1 ratio, e.g. 1 kg Vollton binder (powder) + 1 kg pigments (powder). First, stir the pigment into the required amount of clean, cold water until there are no lumps, and only then stir in the Vollton binder until the mixture is lump-free. Alternatively, the Vollton binder and the pigments can be pre-mixed dry and then stirred together in water. Use a powerful mixer (drill with whisk attachment or hand blender) to stir the mixture into the water. Leave to swell for at least 30 minutes and stir thoroughly once more before use. Water requirement The amount of water required varies depending on the pigment used. Guideline values for a mixture of 1 kg of Vollton paint, consisting of 500 g of Vollton binder and 500 g of pigments: 1.25 litres of water: yellow ochre, red ochre, deer-brown umber, golden ochre, orange ochre, oxide orange, green umber, iron oxide black, ultramarine blue, ultramarine violet, spinel yellow, spinel turquoise, spinel blue, spinel green, spinel orange, spinel mint, sun yellow, Burnt umber, Burnt terra di Siena, Iron oxide red 110, Iron oxide red 130, Iron oxide red 140, Iron oxide red 180, Burnt umber (Cyprus), Chromium oxide green 1.50 litres of water Dark greenish umber, reddish umber, blackish-brown umber, iron oxide yellow 930, iron oxide brown 610, 1.75 litres of water Reddish-brown umber, Reddish-brown umber, Reddish-brown umber, Iron oxide yellow 420 2.00 litres of water Dark umber, natural umber, natural terra di Siena, Thinning It is important not to apply the full-tone colours too thickly. This means that, depending on the substrate, the colours may need to be further thinned with water to ensure good spreadability. Lightening with white To lighten colours with white, the ready-mixed solid colours can be mixed in any proportion with Kreidezeit Vega wall paint or clay paints. Application Application temperature: at least 8°C. Stir occasionally whilst applying. At least 2 coats are usually required for full coverage. Do not attempt to cover dark or high-contrast substrates with a single coat; applying the paint too thickly can lead to damage (cracks)! Allow previous coats to dry completely before repainting. The colours lighten significantly as they dry. Brushing: apply evenly using a cross-hatch technique with a facade brush. Rolling: First apply generously and evenly using a criss-cross motion, then immediately roll in one direction without applying any further paint. The mixed paint must be used on the same day. Under no circumstances should paint that smells bad or musty be used: risk of persistent odour problems even after drying! Drying time in normal conditions Can be recoated after approx. 8 hours. Fully dry after approx. 24 hours. Suitable tools Good medium-pile paint rollers (polyamide) and paint brushes. Airless sprayers (min. 200 bar nozzle pressure). Cleaning the tools With water immediately after use.
Content: 0.5 Kilogram (€17.80 / 1 Kilogram)
€8.90*
Kreidezeit stainless steel cleaner, tin 500 g
Kreidezeit Stainless Steel Cleaner The Kreidezeit Stainless Steel Cleaner is a high-quality, gentle surface cleaner made from natural raw materials. It is ideal for cleaning stainless steel, glass, enamel and chrome. Whether in the home, the garden, the workshop or on a stainless steel barbecue – this versatile cleaner ensures a sparkling finish across a wide range of applications. The product is complemented by a practical viscose sponge, which is also made from renewable raw materials and makes cleaning particularly environmentally friendly.
Content: 0.5 Kilogram (€17.98 / 1 Kilogram)
€8.99* €9.90*
Kreidezeit Stand Oil Paint, intermediate coat, semi-greasy
Kreidezeit stand oil paint is a coloured, highly opaque and weather-resistant protective coating for timber, suitable for both indoor and, in particular, outdoor use, which is sold ready for immediate application. Product information Function The advantages offered by this resin- and biocide-free stand oil paint are, firstly, that it does not crack, flake or peel, but weathers away slowly from the surface and can therefore be easily maintained by simply cleaning and repainting. Furthermore, the vapour-permeable Kreidezeit stand oil paint impresses with its high opacity. It has a wide range of applications: e.g. windows, doors, timber façades, half-timbered structures, playground equipment, fences, carports and beehives, and can also be used to treat steel and zinc. Only completely lightfast and weather-resistant earth and mineral pigments are used for pigmentation. The paint is available in 14 different colour variants, as well as in silver and gold, all of which can be mixed together. Many custom shades are also available on request. The stand oil paint can be applied in three coats, from ‘lean to rich’, as follows: 1. Priming oil, a primer coat with excellent penetrating power. 2. Stand oil paint – semi-oily, with a silk-matt to silk-gloss finish and good filling properties. For intermediate and final coats. 3. Stand oil paint – full-body, a glossy final coat. For surfaces requiring less sheen, either indoors or outdoors, it is also possible to apply just two coats of semi-oily stand oil paint. It is possible to paint over old oil-based paints and alkyd resin coatings, but no guarantee is given. Not suitable for floors, stoves, radiators and heating pipes, on rough-sawn timber, old synthetic resin-based coatings, or on horizontal surfaces outdoors. PropertiesReady to use Dirt- and water-repellent very high hiding power Does not crack, split or flake Resin-free, weather-resistant and elasticbreathable easy to maintain saliva- and sweat-resistant in accordance with DIN 53160 free from biocides free from cobalt, lead and barium vegan Full list of ingredients Linseed oil, linseed oil stand oil, wood oil stand oil, balsam turpentine oil, zinc white, talc, silicic acid, swelling clay, quartz, manganese, zirconium and calcium driers. Pigments depending on colour shade Titanium white, iron oxide yellow / red / brown / black, nickel titanate yellow / orange, spinel blue, chromium oxide green, red ochreSubstrate preparation / initial sanding Completely remove resin blisters, old coats of paint with multiple layers of damage, and old coats of paint and primers based on acrylic or of unknown composition. For outdoor use: saturate absorbent cut edges and end-grain areas with Kreidezeit Resin Oil and allow to dry for at least 24 hours. Sand new and weathered timber, as well as rough-sawn timber (grain size P 80–100), and round off the edges. Do not sand any finer than this, as the timber will otherwise become compacted and may not absorb enough oil. It is better to ‘open up’ new, smooth, planed or finely pre-sanded timber by sanding. Sand down glossy old oil- or alkyd resin-based coatings (grain size P 80–100). Remove all dust thoroughly after sanding. Application Application and drying temperature must be at least 10 °C for a minimum of 48 hours. Stir the product thoroughly before use. Remove any oxidation film formed during storage beforehand and do not stir it back into the product. Mix containers from different batch numbers together before use. The product must not be poured onto surfaces! Clean and dust off untreated substrates. Apply the product thinly and evenly with a brush or roller. Avoid excess paint and smooth it out. Use a clean brush to remove any paint that has pooled in corners. Always apply subsequent coats only after the previous coat has dried completely. Intermediate sanding After priming or an intermediate coat, intermediate sanding may be necessary if the surface has dried rough or too glossy, e.g. due to raised wood fibres. Sand the surface with sandpaper (grain size P 150–180) in the direction of the grain. Remove all dust thoroughly after sanding. Painting on wood (interior and exterior) 1. Priming Prime normally absorbent woods and weathered, absorbent old oil- or alkyd resin-based coatings with primer oil. After 10 minutes, wipe the surface thoroughly with a dry cloth and remove any oil that has not been absorbed. Do not prime non-absorbent old coatings. 2. Intermediate coat with stand oil paint – semi-gloss 3. Top coat For satin finishes with stand oil paint – semi-gloss or Top coat for glossy finishes with stand oil paint – full-gloss Coating system for metal Steel in outdoor areas: Remove rust mechanically, degrease and remove dust. 1. 2 coats of primer Using anti-rust paint; allow to dry thoroughly for several days 2. At least 1 top coat Using full-oil stand oil paint In dry indoor areas, the primer coats of anti-rust paint can be omitted. Zinc in outdoor areas: Leave to weather for at least 1 year, then wash off the oxide layer with soapy water and a scouring sponge (do not use steel wool!) 1. Intermediate coat with stand oil paint – half-oil – 2. Final coat with stand oil paint – full-body – Drying time Dry and ready for recoating at 20 °C and 60 per cent relative humidity after approx. 24 hours. Suitable tools High-quality paintbrushes and ring brushes, short-pile paint rollers. Do not spray the product. Cleaning the tools Wash immediately after use with balsam turpentine oil, then rinse with olive care soap or Corfu soap.
Content: 2.5 Litre (€38.44 / 1 Litre)
€96.10*
Kreidezeit stand oil paint, top coat, full-body
Kreidezeit stand oil paint is a coloured, highly opaque and weather-resistant protective coating for timber, suitable for both indoor and, in particular, outdoor use, which can be purchased ready for immediate application.Product information Function Stand oil mixed shadesThe advantages of this resin- and biocide-free stand oil paint are, firstly, that it does not crack, flake or peel, but instead weathers away slowly from the surface, meaning it can be easily maintained by simply cleaning and repainting. Furthermore, the vapour-permeable Kreidezeit stand oil paint impresses with its high opacity. It has a wide range of applications: e.g. windows, doors, timber façades, half-timbered structures, playground equipment, fences, carports, beehives, and can also be used to treat steel and zinc. Only completely lightfast and weather-resistant earth and mineral pigments are used for pigmentation. The paint is available in 14 different colour variants, as well as in silver and gold, all of which can be mixed together. Many custom shades are also available on request.The stand oil paint can be applied in three coats, from ‘lean to rich’, as follows: 1. Priming oil: a primer coat with excellent penetrating power. 2. Stand oil paint – semi-oily, with a silk-matt to silk-gloss finish and good filling power. For intermediate and final coats. 3. Stand oil paint – full-fat, a glossy final coat. For surfaces requiring less gloss, it is also possible to apply just two coats of ‘semi-oily’ stand oil paint, both indoors and outdoors.It is possible to paint over old oil-based paints and alkyd resin coatings, but no guarantee is given. Not suitable for floors, stoves, radiators and heating pipes, on rough-sawn timber, old synthetic resin-based coatings, or on horizontal surfaces outdoors. Properties Ready to use Dirt- and water-repellent very high opacity Does not crack, split or flake resin-free, weather-resistant and elastic breathable easy to maintain saliva- and sweat-resistant in accordance with DIN 53160 free from biocides cobalt-, lead- and barium-free vegan Full list of ingredients Linseed oil, linseed oil stand oil, wood oil stand oil, balsam turpentine oil, zinc white, talc, silicic acid, swelling clay, quartz, manganese, zirconium and calcium driers. Pigments depending on colour shade Titanium white, iron oxide yellow / red / brown / black, nickel titanate yellow / orange, spinel blue, chromium oxide green, red ochreSubstrate preparation / initial sanding Completely remove resin blisters, old coats of paint with multiple layers of damage, and old coats of paint and primers based on acrylic or of unknown composition. For outdoor use: saturate absorbent cut edges and end-grain areas with Kreidezeit resin oil and allow to dry for at least 24 hours. Sand new and weathered timber, as well as rough-sawn timber (grain size P 80–100), and round off the edges. Do not sand any finer, as this will compact the wood and prevent it from absorbing sufficient oil. It is better to ‘open up’ new, smooth, planed or finely pre-sanded timber by sanding. Sand down glossy old oil- or alkyd resin-based coatings (grain size P 80–100). Remove all dust thoroughly after sanding. Application Application and drying temperature must be at least 10 °C for at least 48 hours. Stir the product thoroughly before application. Remove any oxidation film formed during storage beforehand and do not stir it back in. Mix containers from different batch numbers together before application. The product must not be poured onto surfaces! Clean and dust off untreated substrates. Apply the product thinly and evenly with a brush or roller. Avoid excess paint and smooth it out. Use a clean brush to remove any paint that has pooled in corners. Always apply subsequent coats only after the previous coat has dried completely. Intermediate sanding After priming or an intermediate coat, intermediate sanding may be necessary if the surface has dried rough or too glossy, e.g. due to raised wood fibres. Sand the surface with sandpaper (grain size P 150–180) in the direction of the grain. Remove all dust thoroughly after sanding. Painting wood (interior and exterior) 1. Priming Prime normally absorbent woods and weathered, absorbent old oil- or alkyd resin-based coatings with priming oil. After 10 minutes, wipe the surface thoroughly with a dry cloth and remove any oil that has not been absorbed. Do not prime non-absorbent old coatings. 2. Intermediate coat with stand oil paint – semi-gloss3. Top coat for a satin finish with stand oil paint – semi-glossor Final coat for glossy finishes with stand oil paint – full-body –Coating system for metal Outdoor steel: Remove rust mechanically, degrease and remove dust. 1. Apply 2 coats of with anti-rust paint; allow to dry thoroughly for several days! 2. At least 1 top coat with stand oil paint – full-body – In dry indoor areas, the primer coats of anti-rust paint are not required. Zinc for external use: Leave to weather for at least 1 year, then wash off the oxide layer with soapy water and a scouring sponge (do not use steel wool!) 1. Intermediate coat with stand oil paint – half-oil –2. Final coat with stand oil paint – full-body – Drying time Dry and ready for recoating at 20 °C and 60 per cent relative humidity after approx. 24 hours. Suitable tools High-quality paintbrushes and ring brushes, short-pile paint rollers. Do not spray the product. Cleaning the tools Wash immediately after use with balsam turpentine oil, then rinse with olive care soap or Corfu soap.
Content: 2.5 Litre (€38.44 / 1 Litre)
€96.10*
Kreidezeit swamp lime colour, filled, with fine brush-on plaster character (grain size 0.5 mm)
Kreidezeit lime putty paint can be used for intermediate and final coats indoors; outdoors, it should only be used as an intermediate coat. Thanks to its excellent breathability, long-lasting alkalinity and a surface that prevents condensation, Kreidezeit lime putty paint is ideal for use in damp rooms.Application video: Lime paints Product information BrochureThis lime paint, with its fine textured finish (grain size 0.5 mm), is characterised by its ability to even out slight variations in the surface texture, whilst allowing fine cracks to be filled. It preserves the surface texture of finely rubbed-in plasters. Kreidezeit lime putty paint produces a high degree of whiteness as well as exceptional binding and adhesive properties through the use of finely dispersed marble lime, and the lime paints require no addition of synthetic resin binders or synthetic pigments such as titanium white. Usually provides full coverage in 2 coats.Properties Resistant to dry wiping and splash-proof Vapour-permeable Antistatic particularly suitable for allergy sufferers and children’s bedrooms Low tension Good coverage can be repainted several times disinfectant, mould-resistant emission-free Free from titanium white, preservatives and synthetic resin binders alkaline, pH 13 vegan Full list of ingredients Marble hydrated lime, marble powder and sand, sintering water, methylcellulose, citric acidSuitable interior substrates Untreated mineral plasters, concrete, stone, masonry, plasterboard, gypsum fibre boards, paper fleece, all Kreidezeit wall paints and plasters (except distemper), matt and absorbent synthetic resin emulsion paints (following the creation of test areas with satisfactory results). Suitable substrates for external use Untreated mineral, weather-resistant plasters, concrete, stone. Do not apply to external thermal insulation composite systems. Primer Prime all plasters, filling compounds, filled plasterboard, concrete and old emulsion paints with Vega Primer or casein primer and allow to dry thoroughly. Do not prime non-woven paper or paper wallpaper. Application The recommended application method is to brush the product on using a cross-hatch technique. On low-absorbent substrates, white lime wash can also be applied with a roller. In this case, work quickly using a ‘wet-on-wet’ cross-hatch technique and finally roll the surface in one direction. The application of the paint with a roller should be tested on a small test area. Do not apply tinted lime putty paint with a roller! Application using an airless spray system is possible. Dilution Use the paint undiluted or diluted with 5–10 per cent water, as required. Adjust the dilution so that the paint is easy to apply. Drying time Approx. 8 hours at temperatures around 20 °C and a relative humidity of 65 per cent. Lower temperatures will prolong the drying time. Protect exterior coats from sun and rain during the first few days and, if necessary, lightly mist them with water repeatedly (water must not run down the surfaces). Suitable tools Good medium-pile paint rollers (polyamide) and paint brushes. Airless sprayers (min. 200 bar nozzle pressure).Cleaning the tools With water immediately after use.The colour effect of lime-based wall paints, which are based on traditional recipes, differs from that of the widely used synthetic emulsion paints due to the natural ingredients used (particularly the absence of titanium white). The surfaces appear more vibrant. The colour effect varies depending on the lighting conditions. A slightly cloudy appearance may result. Applying the paint with a brush emphasises this effect. We therefore recommend using a brush. In some cases, however – for example, when painting woodchip wallpaper – the use of paint rollers is more practical. Tinted lime putty paint should never be applied with paint rollers, however.
Content: 5 Litre (€5.76 / 1 Litre)
€28.79*
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