Mouldcracker binds in fungal spores mineral-based, is biocide-free, diffusible, non-yellowing and free from solvents, organic binders and synthetic resins.Consumption per m² approx. 0.1 - 0.2 litres on plasterConsumption per m² approx. 0.06-0.1 l on emulsion paintsProduct information Safety data sheetThe alkaline environment created by the mould cracker prevents new growth in the medium term.Suitable for use on untreated mineral plasters, concrete, stone, masonry, synthetic emulsion paints and firmly bonded natural wall paints.PropertiesOdourless and emission-freeBiocide-freeNon-yellowingPrevents microbial infestation and fungal growth in the medium termalkaline (pH 12.5)specific weight 1.18non-flammableeasy to processveganFull declarationWater, silicon dioxide, lithium oxide, silica sol, citric acidProcessingProcessing and drying temperature: between 5 and 30 °C.Binding of fungal spores on absorbent plaster: Apply Mould Cracker once or twice diluted 1:1 with water carefully with a brush to the infested areas and approx. 50 cm around them.Binding of fungal spores on plastic dispersion paints: Apply Mould Cracker undiluted carefully with a brush. Sweep off any whitish efflorescence after approx. 2 hours. A glossy appearance is normal on this surface.Then paint over twice with swamp lime paint.Drying time in a normal climateDry after 4 to 6 hours. Can be recoated after 12 hours at the earliest.Suitable toolsBrushes, paintbrushes.Cleaning the toolsImmediately after use with water. Store tools in water during work breaks.

Kreidezeit clay paint is easy to apply and provides excellent coverage with a velvety matt finish for interior walls and ceilings. Low odour, antistatic, highly diffusible, free from preservatives and synthetic resin binders. Suitable for use on clay plaster and all other load-bearing plasters as well as woodchip, pure paper wallpaper, paper fleece and concrete. CoveragePackage contents are sufficient for up to 8m2 per coat IngredientsWhite clay, marble powder, cellulose fibres, vegetable casein, soda, methyl cellulose, earth and mineral pigmentsPreparing the colourStir the contents of the bag into 1 litre of cold water, use a drill with whisk. Leave to soak for at least 30 minutes, then stir again vigorously. Dilute further with water as required.ApplicationPrime absorbent substrates with casein primer (Art. 145). Apply the clay colour evenly and smoothly with a roller or brush.Storage Can be stored in a dry place for at least 1 yearAttentionPay attention to possible allergies to natural substances. A typical product odour may occur due to the natural raw materials used! Store out of reach of children.

Alum priming salt for mixing in water acts as a barrier primer against penetrating discolouration and stains from old substrates. This includes, for example, water marks, discolouration from paste residues, etc.Product information Safety data sheetAlum, also known as potassium sulphate, is a salt that is easily soluble in warm water. It is used, among other things, as a haemostatic agent in shaving sticks, as a deodorant crystal or as a primer in distemper painting.The blocking effect occurs as a result of reaction processes with lime that has not yet set, low solubility in cold water and the closing of plaster capillaries. It should be noted that the faster the coating dries, the better the chances of success. As a rule, the salt cannot be used against nicotine discolouration and hardly develops its blocking properties on old plaster.It is advisable to treat lime plasters and lime paints with alum as soon as they have dried, as this improves the blocking effect. It is not recommended to apply a thick layer of plaster over the primed surfaces, as the drying time may be too long and the moisture could dissolve the alum and the embedded colourants again.In contrast to comparable products, the advantage of alum is that it only has a minor effect on the vapour absorption of the surface.The success of the application cannot be guaranteed. However, the likelihood of success is so high that it is worth a try and depends directly on professional application. Further information can be found in the product information and in the safety data sheet.PropertiesSalt for mixing with waterWaterproofingVapour permeablesolvent- and emission-free, odourlessAbsorbency-reducingHardeningacidic, pH 3-3.5 at 10% solutionslightly disinfectingveganFull declaration100 % potassium aluminium sulphate x 12 H2OMixing the primerDissolve the priming salt in warm water while stirring (duration: approx. 5 min.). The warmer the water, the more salt dissolves. A sediment of salt crystals is normal and indicates that the solution is saturated. Do not process the sediment.Water requirement:Dissolve approx. 100 g alum priming salt in 1 litre of water.Substrate requirementsThe substrate must be completely dry and absorbent!ApplicationAllow new lime plaster or lime paint to dry out completely.Apply alum solution until the substrate is saturated (brush or spray, do not roll!). Processing temperature at least 8°C.Allow to dry completely.Sweep off excess alum (salt crystals).Paint over with Kreidezeit marble lime paint, lime adhesive plaster, lime smoothing paint or another suitable Kreidezeit wall paint. Ensure rapid drying.Drying timeDry and recoatable after 24 hours at the earliest, depending on room climate conditionsSuitable toolsSuitable tools are good facade / ceiling brushes. Do not spray or roll.Cleaning the toolsImmediately after work with water.

Kreidezeit Carnauba Wax Emulsion Concentrate is suitable for oiled and waxed surfaces. It offers the renewal of dull surfaces as well as a basic protection against signs of wear and can also be used as a sole treatment for non-stressed surfaces: Interiors of wooden cabinets, panelling, beams. For indoor use only.Product informationThe basic protection for oiled and waxed surfaces (wood, cork, stone, ceramic) and linoleum acts as a barrier against mechanical stress, water and dirt/dust. Kreidezeit Carnauba Wax Emulsion restores a silky lustre and fresh appearance to visually stressed surfaces. Sole treatment for untreated interior surfaces of wooden cabinets. Dries practically odourless and non-yellowing. Allows easy wiping.Sole treatment for untreated wooden beams and panelling. Gives a silky appearance without strong staining. Provides light protection against dirt and liquids. Makes the surface antistatic, dust can be removed more easily.KREIDEZEIT Carnauba Wax Emulsion is self-glossing and therefore does not require polishing, although further polishing can increase the gloss. It is very easy to mix with water as a solvent and is therefore extremely economical and easy to use.The carnauba wax comes from a type of Brazilian palm tree in which the wax film has the effect of protecting against water during the rainy season and protecting the leaves from drying out in summer.Propertiesdirt and water repellentdiffusible, antistaticself-shiningLow yellowingwater-dilutable (solvent is water)pleasant odourfast dryingeasy to applyveganFull declarationWater, carnauba wax, emulsifier based on natural fatty acids, food preservative: potassium sorbate (E202).The product must not be used undiluted! It is recommended to create test areas before large-scale application to assess the suitability and effect of the product on the respective surface.Use the emulsion sparingly on smooth floors (risk of slipping)!Do not use on hard-wearing surfaces such as floors and worktops without prior oil treatment !Wiping careUse as required on dull surfaces! Shiny surfaces do not require care. Add 1-2 tablespoons of Carnauba Wax Emulsion to 5 litres of lukewarm water and wipe the surface with a damp cloth. Leave to dry. Polishing is not necessary.Basic protection for newly oiled surfacesObserve the prescribed curing time for the pre-treatment. Dilute 1 part carnauba wax emulsion with 2 parts water and apply very thinly with a lint-free, soft cloth or a wide, soft brush. Allow to dry. The process can be repeated if necessary. If necessary, polish additionally with a soft cloth or pad.Treatment of wooden beams / panelling and the inside of cupboardsSand untreated wood (P100-120) and remove dust. Dilute 1 part carnauba wax emulsion with 4 parts water and apply evenly with a soft sponge or brush. Leave to dry. The process can be repeated if necessary. If necessary, polish additionally with a soft cloth or pad. Intermediate sanding (P120) may be necessary.Drying timesapprox. 1-2 hours at 20 °C.

The Kreidezeit casein primer has a wide range of applications. This colourless, transparent primer can be used for subsequent coats and Kreidezeit lime paints, plasters and casein paints indoors.Product information Safety data sheetThe great advantage of this primer is that it has no reducing effect on the vapour absorption of plasters (sD value < 0.01 m), making it ideal for clay and lime plasters.The product reduces unwanted highly absorbent substrates and equalises different absorbencies of the substrate.Areas of applicationSuitable for use on all untreated and absorbent substrates such as clay, lime, lime-cement and gypsum plasters, gypsum plasterboard and gypsum fibreboards, stone and concrete. Recommended for priming absorbent old coatings before renovation: e.g. KREIDEZEIT casein paints, clay paints, limewash paints and emulsion paints. Unsuitable for all smooth, non-absorbent surfaces and permanently damp substrates. For transparent consolidation of plasters, especially clay plasters indoors; it is necessary to create test areas here.The further use of the product within the paint and plaster systems is described in the corresponding product information.Product propertiesPowder for mixing with waterReduces the absorbency of highly absorbent substrates and equalises different absorbencies of the substrateStrengthens slightly sanding substratesVery good penetration capacityColourless, transparentEasy to applyVery economicalhighly diffusiblefree from preservativesColour residues are compostableFull declarationCasein, sodaMixing the casein primerA 10 litre bucket and a mixer (drill + whisk) are best suited for mixing the casein primer. Add the contents of the bag of casein primer (250 g) to 3 litres of clean cold water, stirring constantly. Ensure that all lumps are stirred in. After a swelling time of approx. 30 minutes, stir again vigorously and dilute with 5 litres of water.ApplicationApply the casein primer evenly and generously. Only apply as much liquid as can be absorbed by the substrate. Always remove any excess (wet, shiny areas) with a cloth before drying. Application temperature at least 8°C. The mixed primer must be applied on the same day. Do not use primer that smells bad or foul under any circumstances: Risk of long-lasting odour problems even after drying! Drying time in a normal climate Dry after approx. 8 hours at 20°C and can be recoated with coatings or plasters based on lime putty or casein. Suitable tools Suitable tools are good facade and ceiling brushes made of natural bristles. Do not spray or apply casein primer with a roller. You will find good façade and ceiling brushes in our range. Facade brush, lime brush, ceiling brushCleaning the tools immediately after use with water.

Kreidezeit clay paint is an excellent covering wall and ceiling paint that gives surfaces a unique and soft flair.Consumption and coverageOn a smooth surface, the consumption is around 125g powder / m2. The following ranges are available with the various container sizes: - 2 kg - 16m2- 7.5 kg - 60m2- 20 kg - 160m2Product informationbrochure Kreidezeit clay paint is low-odour and free from preservatives and synthetic resins. It can be used very easily for interior paintwork. The clay paint can be applied to all load-bearing and absorbent plasters (clay, lime, gypsum, cement), fillers, woodchip, pure paper wallpaper, paper fleece, plasterboard, gypsum fibre boards and concrete. The colour consists of natural white clay and light-coloured marble powder, which creates a surface that looks very much like real clay and has a matt and calming effect. If desired, the clay colour can be tinted using Kreidezeit pigments, allowing for individual designs! Also suitable on firmly adhering, matt and absorbent emulsion paints after test areas have been created with positive results.For damp rooms, we recommend KREIDEZEIT Swamp Lime Paint.PropertiesPowder for mixing with waterColour: whiteLow odourantistatichighly diffusiblegood coverageCan be painted over several timesfree from preservativesfree from synthetic resin bindersveganFull declarationWhite clay, marble powder, chalk, cellulose fibres, vegetable casein, soda, methyl cellulosePrimerPre-coat all plasters, levelling compounds, filled drywall, concrete and old emulsion paints with Vega primer or casein primer and allow to dry completely. Do not prime paper fleece/paper wallpaper.Mixing the paintStir 1.00 - 1.10 litres of water per kg of powder into the specified amount of clean, cold water until the mixture is lump-free. Use a powerful drill with a whisk. Leave to swell for at least 30 minutes and stir well again before use.ApplicationProcessing temperature at least 8°C. Stir occasionally during application.As a rule, 2 coats are required for full coverage. Do not attempt to cover dark and high-contrast substrates with one coat; excessive application thicknesses can lead to paint damage! Allow previous coats to dry out completely before overcoating. Clay paint is translucent during application; it only reaches its full opacity after drying.Brushing Spread evenly in a crosswise motion using a facade brush.Rolling First apply generously and evenly in a criss-cross pattern, then immediately roll in one direction without applying any more material.

Kreidezeit Floor Hard Oil is a tried and tested universal oil for a wide range of applications, which is made from natural products and does not contain any "hidden" alkyd resins. It offers robust, reliable protection for almost all types of wood and wooden surfaces indoors and can be used, for example, on floors, worktops, tables, furniture, beams, window interiors, panelling and much more.Coverage per coat 12 m²Consumption per m² 0.06 litresExact consumption must be determined on the object.Product informationDue to the high linseed oil content, deep penetration into even the smallest wood pores is possible, as well as a long "open" working time. The use of natural base turpentine oil also offers the advantage that the hard floor oil can be used on almost all woods and wooden surfaces, including tannin-containing and dense woods. The product can be applied to all Kreidezeit oils, glazes and waxes and can also be tinted with earth and mineral pigments if required. To do this, first mix a small amount of the product with the pigments and then stir into the main quantity.Alternatively, the product can be tinted in any ratio with stand oil colour - semi-fat. PropertiesTread-resistant, dirt and water repellentSolvent-based, very economicaldoes not crack or become brittlediffusible, antistatic, warm to the touchtransparent, honey-coloured, scorchingexcellent penetration capacityeasy to apply, easy to repairsuitable for children's toys in accordance with EN 71-3resistant to saliva and perspiration according to DIN 53160free of cobalt, lead and bariumveganFull declaration Linseed oil, balsamic turpentine oil, linseed oil stand oil, wood oil stand oil, colophony glycerine ester, manganese drier ProcessingShake the product briefly before use.KREIDEZEIT Hard Floor Oil is applied twice with intermediate drying. Intermediate sanding may be necessary before the second application.Mix containers of different batch numbers together before use. The product must not be poured onto surfaces!Clean and remove dust from untreated substrates.KREIDEZEIT Hard Floor Oil is ready to use and is applied undiluted.1. basic sandingSand the wood (grit P 80 - 100), round the edges. Do not sand finer as the wood would otherwise be compacted and could not absorb enough oil. It is better to "open up" new, smooth, planed or finely pre-sanded wood by sanding.Remove dust thoroughly after sanding.2. first coata) Hand application:Apply KREIDEZEIT Floor Hard Oil evenly with a brush, short-pile roller, cloth or sponge. After 10 - 20 minutes, rub the entire treated surface thoroughly with a dry, lint-free cloth until the surface has a uniform silky matt appearance.b) Machine application:Apply KREIDEZEIT Floor Hard Oil with a short-pile roller. After a reaction time of 10 - 20 minutes, rub the entire treated surface thoroughly with a soft pad until the surface has a uniform silky matt appearance. Change the pads in good time when they become saturated.When rubbing down, ensure that any oil that has not been absorbed is removed completely, otherwise shiny or sticky spots may remain.KREIDEZEIT Hard Floor Oil must penetrate the wood completely and must not form a layer on the wood.3. intermediate sanding (optional)Intermediate sanding is only necessary if the surface has dried rough after the first coat, e.g. due to raised wood fibres. Intermediate sanding with sandpaper (grain size P 100 - 120) in the direction of the fibres.Remove dust thoroughly after sanding.4. second coatRepeat the finish as for the first coat.5. wax treatmentOiled floors generally do not require wax treatment. To increase the gloss, a final treatment with KREIDEZEIT Carnauba Wax Emulsion can be applied after 48 hours at the earliest. To do this, dilute 1 part emulsion with 2 parts water, apply evenly and thinly, allow to dry and polish as required.Drying timeDry and recoatable at 20 °C and 60 % relative humidity after approx. 24 hours (or 48 hours on substrates containing tannin, oak, etc.).High humidity, cold and substrates containing tannins significantly extend the drying time.Fully cured after approx. 4 weeks. During this time, use carefully and protect from water.Suitable toolsPaint brushes / surface brushes, short-pile rollers (Magic felt, Art. 6517), lint-free cloths, solvent-resistant plastic sponges. For larger areas: Floor machines with soft pads Do not apply the product with a surface/floor scraper.Cleaning the toolsImmediately after use, wash with balsamic turpentine oil and then with olive care soap or Corfu soap.

Kreidezeit Floor Hard Wax is used to treat oiled surfaces, providing additional protection for floors, furniture, doors and much more. This silky gloss protection protects oiled surfaces (wood, cork, stone, ceramic) and linoleum from dirt and water.The resulting hardness is largely due to the carnauba wax it contains, which is the hardest natural wax.The floor hard wax cannot be used in wet rooms for kitchen worktops or on untreated, absorbent surfaces.Product informationProduct propertiesready to use, pastyTread-resistant, dirt and water repellenttransparent, silky glossdiffusible, antistatic, warm to the toucheasy to apply, easy to repairresistant to saliva and perspiration in accordance with DIN 53160free of cobalt, lead and bariumFull declarationLinseed oil, balsamic turpentine oil, carnauba wax, beeswax, linseed oil stand oil, wood oil stand oil, manganese drierApplicationApply Floor Hard Wax evenly and very thinly with a lint-free cloth. Avoid protrusions.For larger areas: Apply floor hard wax either in patches with a spatula or heat to approx. 60 °C, drizzle onto the floor and then massage in evenly with a floor polisher.After 4 - 6 hours at the latest, the surface must be polished with a lint-free cloth, a brush, a floor polisher or a polishing machine until the surface has a silky lustre. Processing temperature at least 10 °C.Dried residues that are not removed are difficult to polish off later and remain as a white haze. These residues can be removed with a cleaning pad (machine) or with a pot sponge (Scotch Brite).Drying timeThe waxed surface must be polished after 4 - 6 hours at approx. 20 °C. The wax is fully hardened after approx. 24-48 hours.Suitable toolsLint-free cloths, surface/floor spatula. For larger surfaces: Floor polishersCleaning the toolsImmediately after use, wash with balsamic turpentine oil and then with olive care soap or Corfu soap.

Kreidezeit Marseille Soap is purely vegetable and can be used for cleaning floors and oiled surfaces as well as for brushes and rollers and for hand cleaning. Due to its good cold water solubility, it can also be used as a wood floor soap.Product informationIt is finely needled to increase its solubility. Marseille soap can be used in a variety of ways as it is produced without the addition of colourings, fragrances or preservatives and does not contain any artificial surfactants.Propertiesfinely needled, free-flowingpurely plant-basedEasily soluble in hot watermoisturising, with a caring effectNo foamingfree from colourings, fragrances and preservativesfree from additional surfactantsveganFull declarationNatural soaps from coconut and palm kernel oil, water, saltFloor cleaningCleaning of all types of smooth floors, especially for oiled or waxed cork, wood and tile flooring as well as for linoleum.Add 2 tbsp. Marseille soap with 1 litre of boiling water (kettle) and stir until the soap is dissolved. Then dilute with 7 litres of water and clean the floor as usual.Cleaning brushes and paint rollersPour 1 litre of boiling water (kettle) over 4 - 5 tablespoons of Marseille soap and stir until the soap is dissolved. Leave to cool for at least 30 minutes. Thoroughly wash out oil-soiled brushes and rollers with the soap solution.Dried, oil-stained tools can usually be cleaned by briefly boiling them in the soap solution.Soaping floorsIn some areas of Germany, it is customary to protect softwood floors and tables against soiling by simply "soaping" them. The light-coloured wood character is initially retained as far as possible. Over the years, a beautiful patina usually develops.Dissolve approx. 20 g of Marseille soap in 1 litre of boiling water. Apply the warm soap solution to the untreated wooden floor with a suitable brush, work in with a scrubbing brush and leave to dry. If necessary, repeat the process until the desired result is achieved or until the surface is covered with a wafer-thin film of soap. The soap application should be repeated from time to time, depending on wear, to ensure sufficient protection for the wood.Caution: Woods containing tannins, e.g. oak, can become very dark in colour. It is strongly recommended that test areas are created to assess the result before working on large areas.

The ecological Kreidezeit Mould First Aid Kit is free from biocides and contains everything that can be used against minor mould infestations.Minor mould infestation can be found in the majority of homes today and can lead to significant health problems. According to the World Health Organisation (WHO), residents of such homes have an increased risk of developing respiratory infections and asthma as well as allergies. The Kreidezeit mould first aid kit offers a simple solution to such problems. The package contains completely ecological, vegan products that are also free of plastics and biocides and can be used to consistently prevent and combat mould. Contents: 500 ml KREIDEZEIT alcohol 250 ml mould cracker 1 litre limewash paint 1 pair of rubber gloves 1 pair of safety goggles 1 professional flat brush 50 mm 1 mould information flyerProduct InformationAlcohol Safety Data Sheet Alcohol Product informationMouldcracker Safety data sheet Mouldcracker Product informationSump lime paint Safety data sheet Sump lime paint Our biocide-free solutionAlcohol removes minor mould stains with a one-off effect. Our pure alcohol can quickly and easily dissolve and remove mould stains. The mould is removed superficially, but this is only "first aid". Afterwards, the following products should be used as soon as possible: Mould Cracker encapsulates spores, binds them permanently and thus protects against their further spread. At the same time, the surface becomes highly alkaline, which prevents new growth. The mould cracker is not colourfast and should be painted over with marsh lime paint if necessary. It adheres to almost any surface and is also suitable, for example, for restoring infested back walls of cupboards. Effective for many months. Lime works best against fungi due to its long-lasting alkalinity. Lime paints are our tried and tested products for the permanent removal and colour masking of mould. A double coat is usually sufficient to prevent mould from returning. Our recommendations relate to mould infestation of max. 5 m². In the case of massive infestation of entire rooms or even buildings, a specialist should be called in. If in doubt, you can discuss your concerns with our technical advisors. Structural defects and special features can impair the effect of the products presented.

Kreidezeit mould remediation plaster is characterised by its excellent water absorption capacity and is therefore particularly suitable for balancing out high levels of moisture in rooms and remediating mould infestation, as the condensation moisture is absorbed immediately.Product information flyer MouldThis proven product for combating mould is made from purely natural and mineral products and can be used on almost all mineral surfaces that are solid, absorbent and free of loose particles. These include, for example, lime, lime-cement, lime-gypsum and cement plasters, masonry and interior stone. Application on gypsum plaster, gypsum plasterboard, gypsum fibreboard on request.Suitable for use on all mineral substrates that are solid, absorbent and free of loose particles, such as lime, lime-cement, lime-gypsum and cement plasters, masonry, interior stone. Application on gypsum plaster, gypsum plasterboard, gypsum fibreboard on request.Not suitable for wood, wood-based materials, clay plasters, emulsion paints, natural resin emulsion paints, oil-based paints, plastic surfaces, distemper, glossy, non-absorbent and permanently damp substrates.PropertiesPowder for mixing with waterWhite, purely mineral finishing plaster of mortar group PI a made from air lime, marble sand and expanded vermiculiteMax grain size: 1.5 mmWater absorption: 1.0 litre / m² with 3 mm layer thicknessopen to diffusionwithout preservativescan be tinted up to 5 % with KREIDEZEIT pigmentsCan be painted over many times with KREIDEZEIT limewash paintveganFull declarationmarble lime hydrate, marble sand, expanded vermiculite, cellulose, methyl cellulosePrimerPre-wet absorbent substrates until saturated with clean water, preferably sintered lime water (Art. 169) and do not allow to dry.Mixing the plasterStir the powder into the specified quantity of clean, cold water using a powerful stirrer. Allow to swell for at least 15 minutes and stir again thoroughly before use.Water requirement0.35 - 0.40 litres / 1 kg powderIt is normal for the mixed plaster to thicken. The product must always be adjusted with water on site to achieve a good working consistency for the given substrate, i.e. the amount of water may need to be increased slightly.ApplicationApply 3-5 mm thick render to the pre-wetted substrate using a stainless steel trowel or notched trowel.Tip: Applying the plaster with an 8 x 8 mm notched trowel and then smoothing produces an application thickness of approx. 3 mm.After application, rub in with a sponge board or wooden float.Special notes: During the setting process (2 - 3 days), the plaster should only be allowed to dry slowly. During this time, moisten slightly 1 - 2 times. Take suitable precautions to prevent the plaster from drying out too quickly. Avoid draughts and direct sunlight. Temperatures during application and hardening should not be below 7°C or above 25 °C.Maximum application thickness 10 mm.Subsequent coatsOnly use KREIDEZEIT Swamp Lime Paint as a coating material, as other coating systems may impair the functionality of the plaster.Drying time in a normal climateAt least 1 day per mm application thickness. Low temperatures extend the drying time.Suitable toolsRecommended from the Kreidezeit range: Venetian trowel, spring steel trowelCleaning the toolsimmediately after use with water.

Kreidezeit pigments are characterised by their universal applicability and harmonious interaction with each other. There is a choice of different earth, mineral and spinel pigments for tinting Kreidezeit wall paints, plasters, oil paints, oil glazes and wall glazes. All pigments are non-toxic and absolutely lightfast.Product information KREIDEZEIT pigments: Can be used universallyCan be kept indefinitely if stored dry and sealedDo not require any preservatives or other additives like conventional colour pastesAre alkali-resistantGenuine earth pigments have a special charmCan be mixed with each otherAre resistant to light and limeAre compatible with all KREIDEZEIT bindersYellow ochre, gold ochre, orange ochreNatural weathering product of ferrous rocks and minerals. The colouring substance is iron oxide hydrate. The country of origin is France, but yellow ochre is also found widely around the world.Red ochreEarth pigment produced by burning yellow ochre. The colouring components are iron(III) oxides.Sienna redEarth pigment produced by burning yellow Terra di Siena. In contrast to the ochres, terra di siena contains a certain amount of silicates.Umber greenish darkMixture of green mineral pigments (spinel green, spinel blue chrome oxide green) and marble powder.Iron oxide pigments (yellow, orange, red, brown, black)Pure synthetic rust, produced by precipitation reactions from aqueous iron sulphate solution. Very fine particles and extremely strong colours. The yellow and orange colours are iron(III) oxides with varying water of crystallisation content. Iron oxide brown contains additional inclusions of iron(II) oxide. The red iron oxides are formed by loss of water when the yellow iron oxide is heated to temperatures of 180°C to over 800°C. Black is a magnetic mixed oxide of iron(II) and iron(III) oxides, known in its natural form as magnetite.The red iron oxide pigments in particular can become cloudy / streaky in lime paints. However, experience has shown that they work very well in plasters and levelling compounds.UmbrenNatural earth pigments, the colouring components are iron hydrates with manganese oxide hydrates and alumina desilicates. Due to the manganese content, umbers have a drying-accelerating effect in oil colours. Umbers occur in different colour shades, depending on the iron oxide, manganese oxide and silicate content.Ultramarine (blue, violet)Artificial mineral pigments produced by heating soda, clay and sulphur. The ultramarine colours are exposed to different firing temperatures during production. Ultramarine violet is a mixture of ultramarine blue and red. They are considered lime-resistant, but lime products tinted with ultramarines must be processed within 24 hours. They are lightfast and weather-resistant, but not acid-resistant.As our atmosphere today is slightly acidic, ultramarine blue can only be used to a limited extent outdoors (can lead to black discolouration or even discolouration).Spinel pigmentsSpinel is a mineral from the oxide class of minerals that is rather rare in nature. The chemical name for spinel is magnesium aluminate; in its pure form it is colourless. Due to regionally varying additions of iron, chromium, zinc, cobalt or manganese, spinels come in a wide variety of colours. However, these are of a relatively pale, weak colour.Spinel pigments are so-called mixed-phase pigments and are technically produced by adding metal salts (cobalt, antimony, nickel, chromium, titanium) to natural ground spinels and exposing them to temperatures of 1200 to 1600°C in an oven, whereby an ion exchange takes place and the material is enriched to saturation with the metals used. This produces very strong colours.The metals are so firmly incorporated into the mineral structure that they are no longer bioavailable, i.e. they do not dissolve in the human body, during composting or in normal fires. Spinel blue / spinel turquoise / spinel mint: Cobalt chromium aluminate Co(Al,Cr)2O4 Spinel green: Cobalt titanate (Co,Ni,Zn)(Ti,Al)2O4 Spinel yellow: Nickel antimony titanate rutile (Ti,Ni,Sb)O2 Spinel orange: Chromium antimony titanate rutile (Ti,Cr,Sb)O2 Sun yellow is a mixture of spinel yellow and spinel orangeFor tinting our aqueous wall paints, wall glazes, plasters and waxes: first mix the pigments with a little water to form a lump-free slurry and then add to the desired product. For tinting our GekkkoSOL products: First slurry the pigments lump-free with a little GekkkoSol thinner and then add to the desired GekkkoSOL product.For tinting our oil-based paints, glazes, hard oils and waxes: First slurry the pigments with a little oil or balsamic turpentine oil without leaving any lumps and then add to the desired product.

Kreidezeit priming oil (half oil) is a classic resin-free primer for interior and exterior oil paint coats. It contains 50% linseed oil varnish and 50% natural balsamic turpentine oil, making Kreidezeit (Priming Oil) vegan, made purely from natural raw materials and containing no "hidden" alkyd resins. Semi-oils have been used successfully for centuries as a primer for subsequent interior and exterior oil paints and are still very popular in painting techniques today.Coverage per coat 10 m²Consumption per m² 0.07 - 0.1 lExact consumption must be determined on the object.Product information The priming oil can be used for all types of untreated wood, cork, natural stone, terracotta and neutral plasters and can be applied to furniture, beams, panelling and much more. It has a water and dirt-repellent effect and, thanks to its high linseed oil content, is absorbed into the surface in the best possible way and causes the wood spores to be lined. This enables excellent cross-linking of the surface with subsequent oil-based coats.Also suitable as a sole treatment for interior surfaces subject to low levels of stress (classic oiled surface): Furniture, beams, panelling, etc.Thanks to the natural balsamic turpentine oil it contains, Priming Oil is ideal for all wooden surfaces and types of wood, including wood containing tannins and dense woods.KREIDEZEIT Priming Oil consists exclusively of natural oils. It contains no "hidden" alkyd resins, e.g. made from non-drying oils such as rapeseed, soya or sunflower oil. Suitable as a primer for subsequent coats with:opaque stand oil paints on all untreated woodspigmented wood stain on highly absorbent or weathered woods CharacteristicsDirt and water repellentResin-free, contains solventsVery good cross-linking with oily subsequent coatsDoes not crack or become brittlediffusible, antistatic, warm to the touchtransparent, honey-coloured, scorchingexcellent penetration capacityeasy to apply, easy to repairsuitable for children's toys in accordance with EN 71-3resistant to saliva and perspiration according to DIN 53160free of cobalt, lead and bariumveganFull declarationLinseed oil, balsamic turpentine oil, linseed oil stand oil, manganese drier

The Kreidezeit silvering glaze is a silver-grey glazing coating. It is free from biocides, weatherproof and elastic. It is particularly suitable for rough-sawn, brushed wood surfaces in outdoor areas. Product information Areas of application include wood panelling, beams, fences, play equipment, carports and much more. The glaze is also ideal for wooden decks.The special thing about Kreidezeit Silvering Glaze is that it makes wooden surfaces look more weathered or like aged, silvered softwoods. It gradually weathers off on the surface and enables an almost seamless transition to the natural patina of the softwoods.Also suitable for decorative purposes indoors.Unsuitable for dimensionally stable wood, e.g. windows, doors. DilutionThe product is used undiluted, but can be diluted with balsamic turpentine oil as required.TintingSilvering glaze can be mixed with all coloured KREIDEZEIT wood stains and stand oil paints for additional colour shades. Do not tint with pigments.Propertiesready to useColour: silver-grey glazingdoes not burst, crack or flakeWeatherproof and elasticdiffusibleresistant to saliva and perspiration according to DIN 53160Solvent-based (natural balsamic turpentine oil)free from biocidesfree of cobalt, lead and bariumveganFull declarationLinseed oil, wood oil stand oil, linseed oil stand oil, balsamic turpentine oil, colophony glycerol ester, iron oxide pigments, titanium white, aluminium pigment, talc, swelling clay, silicic acid, manganese and calcium drierSubstrate requirementsThe substrate must be untreated, dust-free, clean, dry, grease-free, chemically neutral and absorbent. Processing temperature at least 10°C. Wood moisture content < 15%. Do not apply to damp wood!Substrate preparation / basic sandingRemove resin pockets and old synthetic resin-based coats.Sand smooth or planed wood (P60 - 80) or brush.Do not sand any finer as this will compact the wood and impair the function of the glaze. Remove dust thoroughly after sanding.PrimingThe surfaces must not be primed before applying the stainApplicationStir the product thoroughly before and occasionally during application. If the glaze has run together, brush it out of the corners with a brush. Stir containers of different batch numbers together before use. The product must not be poured onto surfaces!Clean and remove dust from untreated surfaces.KREIDEZEIT Silvering Glaze is applied undiluted.Processing and drying temperature at least 10 °C for at least 48 hours.ExteriorKREIDEZEIT Silvering Glaze is only applied once evenly in the direction of the wood.Two coats (with intermediate drying) are possible, but will produce a gloss.Indoors and wooden decks/patio boards:Basic sanding required, grain size P80-100. Apply KREIDEZEIT Silvering Glaze evenly in the direction of the wood. 10-20 minutes after application, wipe the entire treated surface with a dry, lint-free cloth until any glaze that has not been absorbed has been removed and the surface has an even, silky matt appearance.Caution with grooved/grooved boards: Use a dry brush to thoroughly wipe any oil that has not been absorbed out of the grooves, otherwise there is a risk of stickiness.Drying timeDry and recoatable at 20 °C and 60 % relative humidity after approx. 24 hours, on substrates containing tannin (oak, etc.) at least 48 hours.High humidity, cold and substrates containing tannins significantly extend the drying time.Fully cured after approx. 4 weeks.Suitable toolsPaintbrush. Do not spray or roll the product.Cleaning the toolsImmediately after use, wash with balsamic turpentine oil and then with olive care soap or Corfu soap.

In combination with Kreidezeit pigment, the Kreidezeit full-tone binder offers the excellent possibility of mixing full-tone wall colours according to your wishes.Video product informationDescription of the productWall colours can be made from individual pigments or from mixtures of two or more pigments. Individual and imaginative colours can be mixed in this way. The full-tone wall and ceiling paint for interior use can be applied to all load-bearing and absorbent plasters (clay, lime, gypsum, cement), fillers, woodchip, pure paper wallpaper, paper fleece, plasterboard, gypsum fibreboard and concrete and is also suitable for firmly adhering, matt and absorbent emulsion paints, provided a test surface has been created. Also suitable on firmly adhering, matt and absorbent emulsion paints after a test area has been created with positive results.The binder is very easy to apply, can be painted over several times and is wipe-resistant. It is also a vegan product.The full colour binder must be mixed with pigments in a ratio of 1:1 and must not be used unpigmented as a single coat.PropertiesPowder for mixing with waterEasy to processLow odourhighly permeable, antistaticwithout titanium whiteSmudge-proof and can be painted over several timesfree from preservativesfree from synthetic resin bindersveganFull declarationchalk, vegetable casein, china clay, cellulose, soda, methyl cellulosePrimerPrime all plasters, levelling compounds, filled drywall panels, concrete and old emulsion paints with Vega primer or casein primer and allow to dry completely. Do not prime paper fleece/paper wallpaper.Mixing the paintThe solid colour binder must be mixed with pigments in a 1:1 ratio, e.g. 1 kg solid colour binder (powder) + 1 kg pigment (powder).First stir the pigment lump-free into the required amount of clean, cold water and only then stir in the solid colour binder until the mixture is lump-free. Alternatively, the solid colour binder and the pigments can also be premixed dry beforehand and then stirred together in water. Use a powerful mixer (drill with whisk or kitchen mixer) to stir into water. Leave to soak for at least 30 minutes and stir well again before use.Water requirementThe amount of water required varies depending on the pigment used.Guide values for a mixture of 1kg solid colour, consisting of 500g solid colour binder and 500g pigment:1.25 litres of water Yellow ochre, red ochre, fawn umber, gold ochre, orange ochre, oxide orange, green umber, iron oxide black, ultramarine blue, ultramarine violet, spinel yellow, spinel turquoise, spinel blue, Spinel green, spinel orange, spinel mint, sun yellow, burnt umber, burnt Terra di Siena, iron oxide red 110, iron oxide red 130, iron oxide red 140, iron oxide red 180, burnt umber (Cyprus), chrome oxide green1.50 litres of water umber greenish dark, umber reddish, umber blackish brown, iron oxide yellow 930, iron oxide brown 610,1.75 litres of water sienna red, umber red-brown, iron oxide yellow 4202.00 litres of water Umbra dark, Umbra natural, Terra di Siena natural,DilutionIt is important not to apply the solid colours too thickly. This means that, depending on the substrate, the colours may need to be thinned further with water to achieve good spreadability.Brightening whiteFor lightening with white, the ready-mixed solid colours can be mixed in any ratio with KREIDEZEIT Vega Wall Paint or Clay Paint.ApplicationProcessing temperature at least 8°C.Stir occasionally during application.At least 2 coats are generally required for full coverage. Do not attempt to cover dark and high-contrast substrates with one coat; excessive application thicknesses can lead to paint damage (cracks)! Allow previous coats to dry completely before recoating.The colours will lighten considerably during drying.Painting Spread evenly with a façade brush in a criss-cross pattern.Rolling First apply a full and even coat in a crosswise motion, then immediately roll in one direction without applying any more material.The mixed paint must be applied on the same day. Do not continue to use bad or foul-smelling paint under any circumstances: Danger of long-lasting odour problems even after drying!Drying time in a normal climateCan be painted over after approx. 8 hours. Completely dry after approx. 24 hours.Suitable toolsGood medium pile paint rollers (polyamide) and brushes. Airless spraying equipment (min. 200 bar nozzle pressure).Cleaning the toolsImmediately after use with water.

Kreidezeit stainless steel cleaner is a fine surface cleaner made from natural raw materials and can be used on steel, glass, enamel and chrome. There are numerous areas of application such as in the household, in the garden, in the workshop, for stainless steel grills and much more. There is also a viscose sponge made from renewable raw materials.

Kreidezeit Swamp Lime Paint can be used for intermediate and finishing coats indoors and should only be used as an intermediate coat outdoors. Thanks to its excellent diffusion properties, long-lasting alkalinity and a surface that prevents condensation, Kreidezeit Limewash Paint is ideal for painting in damp rooms.Processing video lime paints Product information brochureThe lime paint with a fine coating plaster character (grain size 0.5 mm) is characterised by the fact that slightly altered differences in the structure of the surface are smoothed out, whereby fine cracks can be filled in. It maintains the surface structure of finely roughened plasters. Kreidezeit marble lime paint produces a high degree of whiteness as well as enormous binding and adhesion properties thanks to the use of finely dispersed marble lime. The lime paint does not require the addition of synthetic resin binders or synthetic pigments such as titanium white. Generally opaque in 2 coats.PropertiesDry wipe-resistant, splash-proofopen to diffusionAntistaticParticularly suitable for allergy sufferers and children's roomslow tensiongood hiding powerCan be painted over several timesDisinfectant, mould-repellentemission-freefree from titanium white, preservatives and synthetic resin bindersalkaline, pH 13veganFull declarationMarble lime hydrate, marble flours and sands, sintered water, methyl cellulose, citric acidSuitable interior substratesUntreated mineral plasters, concrete, stone, masonry, plasterboard, gypsum fibre boards, paper fleece, all KREIDEZEIT wall paints and plasters (except distemper), matt and absorbent synthetic resin dispersion paints (after creating test areas with positive results).Suitable exterior substratesUntreated mineral, weather-resistant plasters, concrete, stone. Do not use on external thermal insulation composite systems.PrimerPre-coat all plasters, levelling compounds, filled drywall panels, concrete and old emulsion paints with Vega Primer or Casein Primer and allow to dry completely. Do not prime paper fleece/paper wallpaper.ApplicationThe recommended method of application is brushing with a brush in a crosswise stroke.White swamp lime paint can also be rolled onto low-absorbent substrates. In this case, work quickly "wet-on-wet" in a crosswise motion and then roll the surface in one direction. The application of the colour with the roller should be tested on test surfaces.Do not roll tinted swamp lime paint! Application by airless spraying is possible. DilutionDepending on requirements, use the paint undiluted or diluted with 5 - 10 % water. Dilute the paint so that it is easy to apply.Drying timeApprox. 8 hours at temperatures around 20 °C and a humidity of 65 %. Low temperatures extend the drying time.Protect exterior coats from sun and rain during the first few days and, if necessary, mist lightly with water repeatedly (water must not run down the surfaces).Suitable toolsGood medium-pile paint rollers (polyamide) and brushes. Airless spraying equipment (min. 200 bar nozzle pressure).Cleaning the toolsImmediately after use with water.The colour effect of the lime wall paints, which are based on traditional formulas, differs from the widely used synthetic dispersion paints due to the natural ingredients used (above all due to the absence of titanium white). The surfaces appear more vivid. The colour effect varies depending on the lighting conditions. A slightly cloudy character may result. Application with a brush emphasises this character. We therefore recommend applying the colour with a brush. However, in some cases, e.g. when painting woodchip, it is more practical to use paint rollers. Tinted swamp lime paint should never be painted with paint rollers.

Kreidezeit swamp lime paint for interior and exterior use is based on tried and tested formulas. The fundamental difference in the colour appearance is the use of natural ingredients from the widely used synthetic dispersion paints; above all, without the addition of synthetic resin binders and synthetic pigments such as titanium white. Ecotest "very good". Data sheet Safety data sheet The product has excellent diffusion properties, long-lasting alkalinity and a surface that prevents condensation and can therefore be used in damp rooms in particular.The resulting colour effect appears more vivid, but can be altered by different incidence of light. The result is a slightly cloudy character, which can be emphasised by using a brush. However, in some cases, e.g. when painting woodchip wallpaper, the use of paint rollers is more practical. However, tinted swamp lime paint should never be painted with paint rollers.Kreidezeit marble lime paint is suitable for interior and exterior use and produces a high degree of whiteness as well as enormous binding and adhesion properties thanks to the use of finely dispersed marble lime.Generally opaque in 2 coats. In exterior areas, 3 coats extend the durability.Marble Lime Paint is matt, white and smooth. Suitable for intermediate and top coats indoors and outdoorsCharacteristicsDry wipe-resistant, splash-proofopen to diffusionAntistaticParticularly suitable for allergy sufferers and children's roomslow tensiongood hiding powerCan be painted over several timesDisinfectant, mould-repellentemission-freefree from titanium white, preservatives and synthetic resin bindersalkaline, pH 13veganFull declarationMarble lime hydrate, marble flours and sands, sintered water, methyl cellulose, citric acidSuitable interior substratesUntreated mineral plasters, concrete, stone, masonry, plasterboard, gypsum fibre boards, paper fleece, all KREIDEZEIT wall paints and plasters (except distemper), matt and absorbent synthetic resin dispersion paints (after creating test areas with positive results).Suitable exterior substratesUntreated mineral, weather-resistant plasters, concrete, stone. Do not use on external thermal insulation composite systems.PrimerPre-coat all plasters, levelling compounds, filled drywall panels, concrete and old emulsion paints with Vega Primer or Casein Primer and allow to dry completely. Do not prime paper fleece/paper wallpaper.ApplicationThe recommended method of application is brushing with a brush in a crosswise stroke.White swamp lime paint can also be rolled onto low-absorbent substrates. In this case, work quickly "wet-on-wet" in a crosswise motion and then roll the surface in one direction. The application of the colour with the roller should be tested on test surfaces.Do not roll tinted swamp lime paint! Application by airless spraying is possible. DilutionDepending on requirements, use the paint undiluted or diluted with 5 - 10 % water. Dilute the paint so that it is easy to apply.Waterproofing of façade surfacesFor façade surfaces, we recommend hydrophobisation with 2% KREIDEZEIT Corfu Soap. Dissolve the soap in a ratio of 20 g soap flakes to 1 litre of water. Do not use a higher concentration! For an optimum water-repellent effect, apply the soap solution to the dried lime coating as soon as possible, after 24 hours at the latest. Apply thinly and evenly from bottom to top. Do not roll! Application can be repeated after drying. A clouding typical of lime soap may occur on tinted lime paints (if necessary, create a test area beforehand).Drying timeApprox. 8 hours at temperatures around 20 °C and a humidity of 65 %. Low temperatures extend the drying time.Protect exterior coats from sun and rain during the first few days and, if necessary, mist lightly with water repeatedly (water must not run down the surfaces).Suitable toolsGood medium pile paint rollers (polyamide) and brushes. Airless spraying equipment (min. 200 bar nozzle pressure).Recommended from the KREIDEZEIT range: Facade paint brush, lime paint brush, professional paint rollersCleaning the toolsImmediately after use with water.

Vega primer, container size 250 g Range 40 - 60 m² Consumption per m² 20 g Exact consumption to be determined on the object Product information Safety data sheetKreidezeit Vega Primer is a colourless, transparent primer that is used for subsequent coats of paint and thin-layer plaster applications indoors. It offers a wide range of application options. Kreidezeit Vega Primer is particularly suitable for priming clay and lime plasters, as it has no reducing effect on the vapour absorption of plasters (sD value < 0.01m).It can be used on all untreated and absorbent surfaces such as clay, lime, lime-cement and gypsum plasters, gypsum plasterboard and gypsum fibreboards, stone and concrete, but is unsuitable for all smooth, non-absorbent surfaces and permanently damp substrates.Recommended for priming absorbent old coatings before renovation: e.g. KREIDEZEIT casein paints, clay paints, limewash paints and emulsion paints.For transparent consolidation of plasters, especially clay plasters in interior areas; here it is necessary to create test areas (see "Tips").The use of Vega primer within the various KREIDEZEIT paint and plaster systems is described in the corresponding product information.PropertiesPowder for mixing with waterReduces the absorbency of highly absorbent substrates and equalises different absorbencies of the substrateStrengthens slightly sanding substratesVery good penetration capacityColourless transparentEasy to applyVery economicalhighly diffusiblefree from preservativescolour residues are compostableveganFull declaration: vegetable casein, soda Mixing the primerA 10 litre bucket and a mixer (drill + whisk) are best suited for mixing the primer.Add the contents of the bag of Vega primer (250 g) to 2 litres of clean, cold water, stirring constantly. Ensure that all lumps are stirred in. After a swelling time of approx. 30 minutes, stir again vigorously and dilute with 6 litres of water. ApplicationApply Vega Primer evenly and generously. Only apply as much liquid as can be absorbed by the substrate.Remove any excess (wet, shiny areas) with a cloth before drying.Processing temperature at least 8°C.The mixed primer must be applied on the same day. Do not use primer that smells bad or foul under any circumstances: Danger of long-lasting odour problems even after drying!Drying time in a normal climateDry after approx. 8 hours at 20°C and can be recoated with paints or plasters based on lime putty or casein.Suitable toolsSuitable tools are good facade and ceiling brushes made of natural bristles. Do not spray or apply casein primer with a roller.You will find good façade and ceiling brushes in our range. Facade brush, lime brush, ceiling brushCleaning the toolsimmediately after use with water.

Kreidezeit Vega wall paint is a vegan, excellent covering and easy-to-use paint for interior walls and ceilings. It can be used on all load-bearing and absorbent plasters (clay, lime, gypsum, cement), fillers, woodchip, pure paper wallpaper, paper fleece, plasterboard, gypsum fibre boards and concrete.Product information Safety data sheetThe vegetable casein (vegetable protein) in combination with the soda acts as a binding agent. The soda is added to produce a protein glue. The production of Kreidezeit Vega wall paint offers several advantages, as transport costs and packaging waste are reduced and storage is extended without chemical preservation.The colour is characterised by a pleasant light white tone, which results from the use of Italian marble flours and does not require the addition of any other optical brighteners such as titanium white.It is also ideal for use on firmly adhering, matt and absorbent emulsion paints after test areas have been created with positive results. For damp rooms, we recommend KREIDEZEIT Swamp Lime Paint.Properties Powder for mixing with watereasy to applyLow odour highly diffusible, antistaticexcellent covering power naturally white due to fine marble flours without titanium white Smudge-proof and can be painted over several times all ingredients are of natural origin free from preservatives free from synthetic resin binders vegan Full declaration Marble flours of various grain sizes, chalk, vegetable casein, china clay, soda, methyl cellulose7PrimerPre-coat all plasters, levelling compounds, filled drywall panels, concrete and old emulsion paints with Vega primer or casein primer and allow to dry completely. Do not prime paper fleece/paper wallpaper. Mixing the paintStir the powder into the specified amount of clean, cold water until the mixture is lump-free. Use a powerful drill with a whisk. Leave to swell for at least 30 minutes and stir well again before use.Water requirement/dilution The colour must be adjusted with water to a spreadability suitable for the substrate; it may need to be thinned further for this purpose.Rolling: Mix 1 kg of colour powder with 650 ml of water, dilute further with max. 100 ml of water as required.Brushing: Mix 1 kg of colour powder with 750 ml of water, dilute further with max. 100 ml of water as required. Application Processing temperature min. 8°C. Stir occasionally during application. 2 coats are generally required for full coverage. Do not attempt to cover dark and high-contrast substrates with one coat; excessive application thicknesses can lead to paint damage! Allow previous coats to dry completely before painting over them. The colour is translucent during application and only reaches its full opacity after drying. Mix 1 kg of colour powderwith 650 ml of water and dilute with up to 150 ml if necessary. Spread evenly in a criss-cross pattern using a facade brush. Rolling Mix 1 kg of colour powder with 550 ml of water, dilute with up to 150 ml if necessary. First apply a thick, even coat in a criss-cross pattern, then immediately roll in one direction without applying any more material. The mixed colour must be used on the same day. Do not continue to use bad or foul-smelling paint under any circumstances: Danger of long-lasting odour problems even after drying! Drying time in a normal climate Can be painted over after approx. 8 hours. Suitable tools Good medium pile paint rollers (polyamide) and paint brushes. Recommended from the KREIDEZEIT range: Facade paint brush, lime paint brush, professional paint rollers. Cleaning the tools Immediately after use with water.TipsApply the product within 24 hours. Small quantities of mixed paint can be frozen for repair purposes.Painting over old emulsion paintsThe old paint must be firmly attached, matt and slightly absorbent. For better adhesion to the substrate, we recommend adding 30 ml of safflower oil (low-yellowing) to 1 kg of paint powder used. The oil is added to the Vega Wall Paint after swelling, stirring vigorously. Dirty emulsion paint coats must be cleaned before applying the Vega Wall Paint, e.g. with caustic soda. e.g. with soda lye. In these cases, the suitability of the paint should generally be tested on site by creating a test surface.

The Kreidezeit window care set protects wooden windows that have been treated with Kreidezeit stand oil paints or coloured wood stains from weakening the colour intensity and then protects them. Furthermore, soiled paintwork can be cleaned with the enclosed care soap. The set contains 100ml care soap and 100ml care oil as well as 1 set of instructions. Product informationThe window care set offers excellent protection against coloured renovation coats for comparatively little effort, as long-term and regular maintenance is required to maintain the function-protecting surface and appearance, which is shortened with the Kreidezeit window care set. Full declarationMaintenance soap: Olive oil soap. Maintenance oil: linseed oil, linseed oil stand oil, wood oil stand oil, manganese drierInspectionCheck painted surfaces at least every six months for soiling and damage (visual inspection) and clean and maintain as required . The gloss behaviour of the painted surfaces should be assessed during the inspection and cleaning at least every six months. Areas that have lost their lustre must be treated immediately with Kreidezeit window care oil. Areas that still have sufficient gloss should not be treated, as too frequent care on surfaces that are still glossy can lead to a greasy appearance and a sticky surface. Kreidezeit stand oil paints and wood stains are environmentally friendly and therefore deliberately not treated with fungicides. Even with fungicide-treated conventional wood coating systems, condensation-induced fungal growth on the surface is a known phenomenon (shadow formation, blackening). It is therefore important to check the surfaces for fungal infestation (usually small black spots) at least every six months and to remove this immediately with water and Kreidezeit care soap.The condition of the painted weatherboards should be checked every six months because they are most exposed to the weather. Cleaning Do not clean the wooden windows immediately after installation. Paint and silicone need approx. 4 weeks to cure completely. Clean the metal rain protection rail after the construction period. The water drainage slots must not be blocked. Clean dirt with a soft sponge and cleaning soap (1 tablespoon of soap diluted in 1 litre of water). Heavy soiling can also be treated with a more concentrated soap. Care and protection As a rule, care is required once a year on sunny and weathered sides and every 2 years on sides facing away from the weather. These intervals can vary considerably depending on the weather conditions and exposure of the surfaces. In principle, however, there are no defined maintenance intervals for the Kreidezeit Stand Oil Paint or Wood Stain System. Allow the cleaned surfaces to dry completely. The areas that have lost their lustre, especially on the sides exposed to the sun and weather, should be rubbed very thinly with a cloth soaked in maintenance oil. After 10 - 15 minutes, rub with a dry cloth and remove excess oil (excess oil that is not removed can be very shiny and sticky!) The colour intensity will return. Processing and drying temperature at least 10°C for at least 48 hours. Renovation Renovation is necessary at the latest when exterior stand oil paints are heavily weathered, chalk intensively or the wood surface becomes visible, or when the pigments in wood stains have been washed off by rain. The surfaces are cleaned with maintenance soap and areas that are still shiny are lightly sanded (grain size P 120-150).Renovation coats on Kreidezeit wood stain are carried out with wood stain for interior/exterior tinted with Kreidezeit pigments up to 175 g pigment per 1 litre of wood stain or coloured wood stain. Renovation coats on Kreidezeit stand oil paints are carried out with stand oil paint - full-fat. The weatherboards on windows should be repainted on the sunny sides every 2 years at the latest.

Kreidezeit wood stain offers the possibility of protecting exterior and interior surfaces from UV radiation, greying and weather conditions with little effort. It is a diffusible and biocide-free protective coating that can be used on a variety of wooden surfaces. These can be, for example, windows, doors, wooden facades, timber framing, play equipment, carports, etc. The advantage of Kreidezeit wood stain over other commercially available products of this type is that it does not flake, crack or burst, but gradually weathers over time. The effort involved in renewing it remains comparatively low thanks to simple cleaning and repainting. In exterior areas, lightfast pigments must be added to the wood stain to aesthetically emphasise the natural wood grain. In contrast, the wood stain can be applied colourless indoors.Kreidezeit wood stain is unsuitable for floors, rough sawn wood, old synthetic resin-based coats and for exterior use on horizontal surfaces. Product information for wooden windowsPropertiesDirt and water repellentdoes not burst, crack or peelWeatherproof and elastictransparent, glossy, emphasises the graindiffusibleeasy to maintainresistant to saliva and perspiration according to DIN 53160contains solvents (natural balsamic turpentine oil)free from biocidesfree of cobalt, lead and bariumveganTinting / UV protectionThe wood stain can be applied colourless or pigmented indoors. For good UV protection outdoors, the stain must be tinted with pigments. Minimum pigment contents must be observed, see colour chart Pigments in oilFull declarationLinseed oil, wood oil stand oil, linseed oil stand oil, balsamic turpentine oil, colophony glycerol ester, manganese and calcium drierSubstrate preparation / basic sandingRemove resin pockets and old synthetic resin-based coats. For exterior use: soak absorbent cut edges and end grain areas with KREIDEZEIT resin oil and allow to dry for at least 24 hours.Sand new and weathered wood (grit P 80 - 100), round edges. Do not sand any finer as the wood would otherwise be compacted and could not absorb enough oil. It is better to "open up" new, smooth, planed or finely pre-sanded wood by sanding. Remove dust thoroughly after sanding.PrimerDo not prime new and normally absorbent wood. Only prime highly absorbent or weathered wood with KREIDEZEIT Priming Oil.ApplicationShake the product briefly before use. On untreated wood, apply the wood stain at least twice with intermediate drying. Intermediate sanding may be necessary before the second application.Stir containers of different batch numbers together before use. The product must not be poured onto surfaces!Clean and remove dust from untreated surfaces. KREIDEZEIT Wood Lazure is applied undiluted.Please note: Exterior wood should be fitted with stainless metal screws and fittings, otherwise dark discolouration may occur when overcoating with oil.Processing and drying temperature at least 10 °C for at least 48 hours.1. first coatExterior areas Apply Pigmented Wood Stain evenly with a brush or brush pad. Avoid or spread any excess. If necessary, use a brush to smooth out any run-on glaze from corners. Stir pigmented wood stain before and occasionally during application.Interior Application as for exterior, pigmented or colourless. Alternatively, and if a glossy appearance is not desired, wipe the entire treated surface with a dry, lint-free cloth 10-20 minutes after application until any unabsorbed wood stain has been completely removed and the surface has a uniform satin matt appearance.2. intermediate sanding (optional)Intermediate sanding is only necessary if the surface has dried rough after the first coat, e.g. due to raised wood fibres. Intermediate sanding with sanding fleece in the direction of the fibres.Remove dust thoroughly after sanding.3. final coat(s)Repeat the finish as for the first coat.Particularly in exterior areas, it is important that the surfaces are well saturated after finishing and have a uniformly silky, glossy appearance. This may require further coats of wood stain.Drying timeDry and recoatable after approx. 24 hours at 20 °C and 60 % relative humidity, at least 48 hours on substrates containing tannin (oak, etc.).High humidity, cold and substrates containing tannins significantly extend the drying time. Fully cured after approx. 4 weeks.Suitable toolsPaint brushes and brush pads. Do not spray or roll the product.Cleaning the toolsWash immediately after use with balsamic turpentine oil and then with Olive Care Soap or Corfu Soap.In interior areas, the wood stain can be applied colourless or pigmented.The following minimum pigment contents must be observed for exterior use:min. 15 %: (150 g/l) gold ochre, yellow ochre, red ochre, orange ochre, sienna red, fawn umber, reddish umber, reddish brown umber, dark greenish umber, dark umber, green umbermin. 10 %: (100 g/l) spinel yellow, orange, green, turquoise, blue, mint, sun yellow, oxide orangemin. 8 %: (80 g/l) Iron oxide blackUltramarine blue and violet are unsuitable for exterior use. We do not recommend glazing tints with titanium white for exterior use due to insufficient UV protection.To tint, first mix the pigments with a little glaze to form a lump-free paste and only then stir into the colourless glaze. The pigments can be mixed together as desired. Instructions.Alternatively, the wood stain can be tinted in any ratio with Stand Oil Colour - semi-fat, add at least 30 % by volume for exterior use.

Kreidezeit worktop oil is solvent-free, hard-wearing and absorbs deeply when used, so that it can be used as surface protection for furniture, tables and worktops made from almost all types of wood. The product is suitable for the initial treatment of untreated wood as well as for its maintenance care indoors and is also tested in accordance with LFGB §31, which is why it is suitable for food contact.Product data sheet Safety data sheet The diffusible worktop oil can also be coloured with earth and mineral pigments depending on the purpose and use.Properties LFGB §31 tested, suitable for food contact.Resistant to saliva and perspiration according to DIN 53160Deeply penetrating Very hard-wearing solvent- and water-free dirt and water repellenteconomical diffusible does not burst, crack or peel easy to maintain free of lead, barium and cobalt made from natural and renewable raw materials veganFull declaration Fermentation alcohol (denatured with MEK, IPA, Bitrex), wax-free shellac, linseed oil varnish, titanium white, talcum, quartz, silicic acidProcessingRemove dirt from the substrate as far as possible (brush off, wash off).Stir the product thoroughly before use and apply thinly and evenly to the dry substrate using a brush or roller. One coat is usually sufficient to block weak stains, for heavy stains apply 2-3 coats with intermediate drying and without intermediate sanding.Can be recoated with KREIDEZEIT wall paints after approx. 24 hours.For subsequent coats of white wall paint, the insulating primer can be applied selectively. For subsequent coats of coloured wall paint or wall glazes, the insulating primer must be applied over the entire surface, otherwise coloured marks may appear. If glossy areas have been created by applying too thick a coat, the dried shellac insulating primer must be sanded to a matt finish before painting over with wall paint. The product can be diluted with KREIDEZEIT Alcohol up to 10 % vol.Drying timeDust-dry after approx. 30 minutes. Dry and recoatable after approx. 12 hours at 20 °C.Cleaning the tools Immediately after use with alcohol, then wash with Marseille Soap, Corfu Soap or Olive Care Soap and water.