Chalk time alcohol
Kreidezeit alcohol (ethyl alcohol, wine spirit) is a fermentation alcohol which is distilled from the fermentation of plant parts containing sugar or starch using a specific yeast additive (analogue to beer/wine production). Product information Safety data sheetThe product has numerous areas of application. It can be used to dilute alcohol-dissolved Kreidezeit products (e.g. shellac insulating primer) and can also be used to clean tools that have been soiled with such products. It is also ideal for removing stains and degreasing surfaces. It can also be used to remove mould and to dissolve alcohol-soluble natural resins such as shellac and copal. For tax reasons, so-called denaturants are added to alcohol for technical applications, which make it undrinkable or cause immediate vomiting if swallowed, as spirits tax is levied on pure alcohol as a stimulant.Full declaration Ethyl alcohol (96 %), isopropanol, Bitrex, methyl ethyl ketone
Content: 0.5 Litres (£13.36* / 1 Litres)
£6.68*
Kreidezeit mould cracker, bottle 250 ml, biocide-free, diffusion-open, solvent-free
Gebinde:
Flasche 250 ml
Mouldcracker binds in fungal spores mineral-based, is biocide-free, diffusible, non-yellowing and free from solvents, organic binders and synthetic resins.Consumption per m² approx. 0.1 - 0.2 litres on plasterConsumption per m² approx. 0.06-0.1 l on emulsion paintsProduct information Safety data sheetThe alkaline environment created by the mould cracker prevents new growth in the medium term.Suitable for use on untreated mineral plasters, concrete, stone, masonry, synthetic emulsion paints and firmly bonded natural wall paints.PropertiesOdourless and emission-freeBiocide-freeNon-yellowingPrevents microbial infestation and fungal growth in the medium termalkaline (pH 12.5)specific weight 1.18non-flammableeasy to processveganFull declarationWater, silicon dioxide, lithium oxide, silica sol, citric acidProcessingProcessing and drying temperature: between 5 and 30 °C.Binding of fungal spores on absorbent plaster: Apply Mould Cracker once or twice diluted 1:1 with water carefully with a brush to the infested areas and approx. 50 cm around them.Binding of fungal spores on plastic dispersion paints: Apply Mould Cracker undiluted carefully with a brush. Sweep off any whitish efflorescence after approx. 2 hours. A glossy appearance is normal on this surface.Then paint over twice with swamp lime paint.Drying time in a normal climateDry after 4 to 6 hours. Can be recoated after 12 hours at the earliest.Suitable toolsBrushes, paintbrushes.Cleaning the toolsImmediately after use with water. Store tools in water during work breaks.
Content: 0.25 Litres (£43.16* / 1 Litres)
£10.79*
%
Clay colour (wine)
Kreidezeit clay paint is easy to apply and provides excellent coverage with a velvety matt finish for interior walls and ceilings. Low odour, antistatic, highly diffusible, free from preservatives and synthetic resin binders. Suitable for use on clay plaster and all other load-bearing plasters as well as woodchip, pure paper wallpaper, paper fleece and concrete. CoveragePackage contents are sufficient for up to 8m2 per coat IngredientsWhite clay, marble powder, cellulose fibres, vegetable casein, soda, methyl cellulose, earth and mineral pigmentsPreparing the colourStir the contents of the bag into 1 litre of cold water, use a drill with whisk. Leave to soak for at least 30 minutes, then stir again vigorously. Dilute further with water as required.ApplicationPrime absorbent substrates with casein primer (Art. 145). Apply the clay colour evenly and smoothly with a roller or brush.Storage Can be stored in a dry place for at least 1 yearAttentionPay attention to possible allergies to natural substances. A typical product odour may occur due to the natural raw materials used! Store out of reach of children.
£8.91* £10.25*
Kreidezeit alum priming salt, 3 kg
Gebinde:
3 kg
Alum priming salt for mixing in water acts as a barrier primer against penetrating discolouration and stains from old substrates. This includes, for example, water marks, discolouration from paste residues, etc.Product information Safety data sheetAlum, also known as potassium sulphate, is a salt that is easily soluble in warm water. It is used, among other things, as a haemostatic agent in shaving sticks, as a deodorant crystal or as a primer in distemper painting.The blocking effect occurs as a result of reaction processes with lime that has not yet set, low solubility in cold water and the closing of plaster capillaries. It should be noted that the faster the coating dries, the better the chances of success. As a rule, the salt cannot be used against nicotine discolouration and hardly develops its blocking properties on old plaster.It is advisable to treat lime plasters and lime paints with alum as soon as they have dried, as this improves the blocking effect. It is not recommended to apply a thick layer of plaster over the primed surfaces, as the drying time may be too long and the moisture could dissolve the alum and the embedded colourants again.In contrast to comparable products, the advantage of alum is that it only has a minor effect on the vapour absorption of the surface.The success of the application cannot be guaranteed. However, the likelihood of success is so high that it is worth a try and depends directly on professional application. Further information can be found in the product information and in the safety data sheet.PropertiesSalt for mixing with waterWaterproofingVapour permeablesolvent- and emission-free, odourlessAbsorbency-reducingHardeningacidic, pH 3-3.5 at 10% solutionslightly disinfectingveganFull declaration100 % potassium aluminium sulphate x 12 H2OMixing the primerDissolve the priming salt in warm water while stirring (duration: approx. 5 min.). The warmer the water, the more salt dissolves. A sediment of salt crystals is normal and indicates that the solution is saturated. Do not process the sediment.Water requirement:Dissolve approx. 100 g alum priming salt in 1 litre of water.Substrate requirementsThe substrate must be completely dry and absorbent!ApplicationAllow new lime plaster or lime paint to dry out completely.Apply alum solution until the substrate is saturated (brush or spray, do not roll!). Processing temperature at least 8°C.Allow to dry completely.Sweep off excess alum (salt crystals).Paint over with Kreidezeit marble lime paint, lime adhesive plaster, lime smoothing paint or another suitable Kreidezeit wall paint. Ensure rapid drying.Drying timeDry and recoatable after 24 hours at the earliest, depending on room climate conditionsSuitable toolsSuitable tools are good facade / ceiling brushes. Do not spray or roll.Cleaning the toolsImmediately after work with water.
Content: 3 Kilogramme (£12.42* / 1 Kilogramme)
£37.27*
Kreidezeit balsamic turpentine oil
Balsamic turpentine oil, which is extracted from various types of pine by steam distillation, can be used to dilute oily Kreidezeit products such as wood stains, stand oil paints, hard oils, rag wax, but also for natural oils such as linseed oil varnish, linseed oil and linseed oil stand oil, as well as for cleaning tools that are contaminated with such products. The clear, low-viscosity oil has a characteristic and intense odour and can also be used to remove stains, degrease surfaces and dissolve terpene-soluble natural resins such as rosin and dammar. Product information Safety data sheetWith approx. 300,000 tonnes produced annually, balsamic turpentine oil is one of the most important essential oils in terms of quantity. The main producer with about half of this quantity is the USA, but the countries of the former USSR, Scandinavia, China, Portugal and Spain also supply a large proportion.Balsamic turpentine oil is the most ecological form of turpentine oil.
£16.76*
Kreidezeit Carnauba Wax Emulsion (Concentrate)
Kreidezeit Carnauba Wax Emulsion Concentrate is suitable for oiled and waxed surfaces. It offers the renewal of dull surfaces as well as a basic protection against signs of wear and can also be used as a sole treatment for non-stressed surfaces: Interiors of wooden cabinets, panelling, beams. For indoor use only.Product informationThe basic protection for oiled and waxed surfaces (wood, cork, stone, ceramic) and linoleum
acts as a barrier against mechanical stress, water and dirt/dust. Kreidezeit Carnauba Wax Emulsion restores a silky lustre and fresh appearance to visually stressed surfaces. Sole treatment for untreated interior surfaces of wooden cabinets. Dries practically odourless and non-yellowing. Allows easy wiping.Sole treatment for untreated wooden beams and panelling. Gives a silky appearance without strong staining. Provides light protection against dirt and liquids. Makes the surface antistatic, dust can be removed more easily.KREIDEZEIT Carnauba Wax Emulsion is self-glossing and therefore does not require polishing, although further polishing can increase the gloss. It is very easy to mix with water as a solvent and is therefore extremely economical and easy to use.The carnauba wax comes from a type of Brazilian palm tree in which the wax film has the effect of protecting against water during the rainy season and protecting the leaves from drying out in summer.Propertiesdirt and water repellentdiffusible, antistaticself-shiningLow yellowingwater-dilutable (solvent is water)pleasant odourfast dryingeasy to applyveganFull declarationWater, carnauba wax, emulsifier based on natural fatty acids, food preservative: potassium sorbate (E202).The product must not be used undiluted! It is recommended to create test areas before large-scale application to assess the suitability and effect of the product on the respective surface.Use the emulsion sparingly on smooth floors (risk of slipping)!Do not use on hard-wearing surfaces such as floors and worktops without prior oil treatment !Wiping careUse as required on dull surfaces! Shiny surfaces do not require care. Add 1-2 tablespoons of Carnauba Wax Emulsion to 5 litres of lukewarm water and wipe the surface with a damp cloth. Leave to dry. Polishing is not necessary.Basic protection for newly oiled surfacesObserve the prescribed curing time for the pre-treatment. Dilute 1 part carnauba wax emulsion with 2 parts water and apply very thinly with a lint-free, soft cloth or a wide, soft brush. Allow to dry. The process can be repeated if necessary. If necessary, polish additionally with a soft cloth or pad.Treatment of wooden beams / panelling and the inside of cupboardsSand untreated wood (P100-120) and remove dust. Dilute 1 part carnauba wax emulsion with 4 parts water and apply evenly with a soft sponge or brush. Leave to dry. The process can be repeated if necessary. If necessary, polish additionally with a soft cloth or pad. Intermediate sanding (P120) may be necessary.Drying timesapprox. 1-2 hours at 20 °C.
Content: 0.5 Litres (£20.16* / 1 Litres)
£10.08*
Kreidezeit casein primer
The Kreidezeit casein primer has a wide range of applications. This colourless, transparent primer can be used for subsequent coats and Kreidezeit lime paints, plasters and casein paints indoors.Product information Safety data sheetThe great advantage of this primer is that it has no reducing effect on the vapour absorption of plasters (sD value < 0.01 m), making it ideal for clay and lime plasters.The product reduces unwanted highly absorbent substrates and equalises different absorbencies of the substrate.Areas of applicationSuitable for use on all untreated and absorbent substrates such as clay, lime, lime-cement and gypsum plasters, gypsum plasterboard and gypsum fibreboards, stone and concrete. Recommended for priming absorbent old coatings before renovation: e.g. KREIDEZEIT casein paints, clay paints, limewash paints and emulsion paints. Unsuitable for all smooth, non-absorbent surfaces and permanently damp substrates. For transparent consolidation of plasters, especially clay plasters indoors; it is necessary to create test areas here.The further use of the product within the paint and plaster systems is described in the corresponding product information.Product propertiesPowder for mixing with waterReduces the absorbency of highly absorbent substrates and equalises different absorbencies of the substrateStrengthens slightly sanding substratesVery good penetration capacityColourless, transparentEasy to applyVery economicalhighly diffusiblefree from preservativesColour residues are compostableFull declarationCasein, sodaMixing the casein primerA 10 litre bucket and a mixer (drill + whisk) are best suited for mixing the casein primer. Add the contents of the bag of casein primer (250 g) to 3 litres of clean cold water, stirring constantly. Ensure that all lumps are stirred in. After a swelling time of approx. 30 minutes, stir again vigorously and dilute with 5 litres of water.ApplicationApply the casein primer evenly and generously. Only apply as much liquid as can be absorbed by the substrate. Always remove any excess (wet, shiny areas) with a cloth before drying. Application temperature at least 8°C. The mixed primer must be applied on the same day. Do not use primer that smells bad or foul under any circumstances: Risk of long-lasting odour problems even after drying! Drying time in a normal climate Dry after approx. 8 hours at 20°C and can be recoated with coatings or plasters based on lime putty or casein. Suitable tools Suitable tools are good facade and ceiling brushes made of natural bristles. Do not spray or apply casein primer with a roller. You will find good façade and ceiling brushes in our range. Facade brush, lime brush, ceiling brushCleaning the tools immediately after use with water.
Content: 0.25 Kilogramme (£48.84* / 1 Kilogramme)
£12.21*
Kreidezeit clay paint 20 kg
Gebinde:
20 kg
Kreidezeit clay paint is an excellent covering wall and ceiling paint that gives surfaces a unique and soft flair.Consumption and coverageOn a smooth surface, the consumption is around 125g powder / m2. The following ranges are available with the various container sizes:
- 2 kg - 16m2- 7.5 kg - 60m2- 20 kg - 160m2Product informationbrochure Kreidezeit clay paint is low-odour and free from preservatives and synthetic resins. It can be used very easily for interior paintwork. The clay paint can be applied to all load-bearing and absorbent plasters (clay, lime, gypsum, cement), fillers, woodchip, pure paper wallpaper, paper fleece, plasterboard, gypsum fibre boards and concrete. The colour consists of natural white clay and light-coloured marble powder, which creates a surface that looks very much like real clay and has a matt and calming effect. If desired, the clay colour can be tinted using Kreidezeit pigments, allowing for individual designs! Also suitable on firmly adhering, matt and absorbent emulsion paints after test areas have been created with positive results.For damp rooms, we recommend KREIDEZEIT Swamp Lime Paint.PropertiesPowder for mixing with waterColour: whiteLow odourantistatichighly diffusiblegood coverageCan be painted over several timesfree from preservativesfree from synthetic resin bindersveganFull declarationWhite clay, marble powder, chalk, cellulose fibres, vegetable casein, soda, methyl cellulosePrimerPre-coat all plasters, levelling compounds, filled drywall, concrete and old emulsion paints with Vega primer or casein primer and allow to dry completely. Do not prime paper fleece/paper wallpaper.Mixing the paintStir 1.00 - 1.10 litres of water per kg of powder into the specified amount of clean, cold water until the mixture is lump-free. Use a powerful drill with a whisk. Leave to swell for at least 30 minutes and stir well again before use.ApplicationProcessing temperature at least 8°C. Stir occasionally during application.As a rule, 2 coats are required for full coverage. Do not attempt to cover dark and high-contrast substrates with one coat; excessive application thicknesses can lead to paint damage! Allow previous coats to dry out completely before overcoating. Clay paint is translucent during application; it only reaches its full opacity after drying.Brushing Spread evenly in a crosswise motion using a facade brush.Rolling First apply generously and evenly in a criss-cross pattern, then immediately roll in one direction without applying any more material.
Content: 20 Kilogramme (£7.89* / 1 Kilogramme)
£157.72*
Kreidezeit Floor Hard Oil
Kreidezeit Floor Hard Oil is a tried and tested universal oil for a wide range of applications, which is made from natural products and does not contain any "hidden" alkyd resins. It offers robust, reliable protection for almost all types of wood and wooden surfaces indoors and can be used, for example, on floors, worktops, tables, furniture, beams, window interiors, panelling and much more.Coverage per coat 12 m²Consumption per m² 0.06 litresExact consumption must be determined on the object.Product informationDue to the high linseed oil content, deep penetration into even the smallest wood pores is possible, as well as a long "open" working time. The use of natural base turpentine oil also offers the advantage that the hard floor oil can be used on almost all woods and wooden surfaces, including tannin-containing and dense woods.
The product can be applied to all Kreidezeit oils, glazes and waxes and can also be tinted with earth and mineral pigments if required. To do this, first mix a small amount of the product with the pigments and then stir into the main quantity.Alternatively, the product can be tinted in any ratio with stand oil colour - semi-fat.
PropertiesTread-resistant, dirt and water repellentSolvent-based, very economicaldoes not crack or become brittlediffusible, antistatic, warm to the touchtransparent, honey-coloured, scorchingexcellent penetration capacityeasy to apply, easy to repairsuitable for children's toys in accordance with EN 71-3resistant to saliva and perspiration according to DIN 53160free of cobalt, lead and bariumveganFull declaration
Linseed oil, balsamic turpentine oil, linseed oil stand oil, wood oil stand oil, colophony glycerine ester, manganese drier ProcessingShake the product briefly before use.KREIDEZEIT Hard Floor Oil is applied twice with intermediate drying. Intermediate sanding may be necessary before the second application.Mix containers of different batch numbers together before use. The product must not be poured onto surfaces!Clean and remove dust from untreated substrates.KREIDEZEIT Hard Floor Oil is ready to use and is applied undiluted.1. basic sandingSand the wood (grit P 80 - 100), round the edges. Do not sand finer as the wood would otherwise be compacted and could not absorb enough oil. It is better to "open up" new, smooth, planed or finely pre-sanded wood by sanding.Remove dust thoroughly after sanding.2. first coata) Hand application:Apply KREIDEZEIT Floor Hard Oil evenly with a brush, short-pile roller, cloth or sponge. After 10 - 20 minutes, rub the entire treated surface thoroughly with a dry, lint-free cloth until the surface has a uniform silky matt appearance.b) Machine application:Apply KREIDEZEIT Floor Hard Oil with a short-pile roller. After a reaction time of 10 - 20 minutes, rub the entire treated surface thoroughly with a soft pad until the surface has a uniform silky matt appearance. Change the pads in good time when they become saturated.When rubbing down, ensure that any oil that has not been absorbed is removed completely, otherwise shiny or sticky spots may remain.KREIDEZEIT Hard Floor Oil must penetrate the wood completely and must not form a layer on the wood.3. intermediate sanding (optional)Intermediate sanding is only necessary if the surface has dried rough after the first coat, e.g. due to raised wood fibres. Intermediate sanding with sandpaper (grain size P 100 - 120) in the direction of the fibres.Remove dust thoroughly after sanding.4. second coatRepeat the finish as for the first coat.5. wax treatmentOiled floors generally do not require wax treatment. To increase the gloss, a final treatment with KREIDEZEIT Carnauba Wax Emulsion can be applied after 48 hours at the earliest. To do this, dilute 1 part emulsion with 2 parts water, apply evenly and thinly, allow to dry and polish as required.Drying timeDry and recoatable at 20 °C and 60 % relative humidity after approx. 24 hours (or 48 hours on substrates containing tannin, oak, etc.).High humidity, cold and substrates containing tannins significantly extend the drying time.Fully cured after approx. 4 weeks. During this time, use carefully and protect from water.Suitable toolsPaint brushes / surface brushes, short-pile rollers (Magic felt, Art. 6517), lint-free cloths, solvent-resistant plastic sponges. For larger areas: Floor machines with soft pads Do not apply the product with a surface/floor scraper.Cleaning the toolsImmediately after use, wash with balsamic turpentine oil and then with olive care soap or Corfu soap.
Content: 0.75 Litres (£26.99* / 1 Litres)
£20.24*
Kreidezeit floor hard wax, 1 litre
Kreidezeit Floor Hard Wax is used to treat oiled surfaces, providing additional protection for floors, furniture, doors and much more. This silky gloss protection protects oiled surfaces (wood, cork, stone, ceramic) and linoleum from dirt and water.The resulting hardness is largely due to the carnauba wax it contains, which is the hardest natural wax.The floor hard wax cannot be used in wet rooms for kitchen worktops or on untreated, absorbent surfaces.Product informationProduct propertiesready to use, pastyTread-resistant, dirt and water repellenttransparent, silky glossdiffusible, antistatic, warm to the toucheasy to apply, easy to repairresistant to saliva and perspiration in accordance with DIN 53160free of cobalt, lead and bariumFull declarationLinseed oil, balsamic turpentine oil, carnauba wax, beeswax, linseed oil stand oil, wood oil stand oil, manganese drierApplicationApply Floor Hard Wax evenly and very thinly with a lint-free cloth. Avoid protrusions.For larger areas: Apply floor hard wax either in patches with a spatula or heat to approx. 60 °C, drizzle onto the floor and then massage in evenly with a floor polisher.After 4 - 6 hours at the latest, the surface must be polished with a lint-free cloth, a brush, a floor polisher or a polishing machine until the surface has a silky lustre. Processing temperature at least 10 °C.Dried residues that are not removed are difficult to polish off later and remain as a white haze. These residues can be removed with a cleaning pad (machine) or with a pot sponge (Scotch Brite).Drying timeThe waxed surface must be polished after 4 - 6 hours at approx. 20 °C. The wax is fully hardened after approx. 24-48 hours.Suitable toolsLint-free cloths, surface/floor spatula. For larger surfaces: Floor polishersCleaning the toolsImmediately after use, wash with balsamic turpentine oil and then with olive care soap or Corfu soap.
£25.86*
Kreidezeit garden furniture oil
Kreidezeit garden furniture oil is made from natural and renewable raw materials and is an initial treatment for new garden furniture and can also be used as maintenance care and to refresh already oiled wood. The biocide-free Kreidezeit Garden Furniture Oil is dirt and water repellent, has excellent penetration properties and a high diffusion capacity.Product information Safety data sheetThe garden furniture oil is colourless. It penetrates deep into the wood, refreshes the colour impression and accentuates the wood grain.If required, pigments can be added to the garden furniture oil to protect untreated wood from greying and to restore greyed wood to its previous colour. Not suitable for treating varnished surfaces.PropertiesDirt and water repellentSolvent-based, very economicalDoes not crack or become brittlediffusible, antistatic, warm to the touchtransparent, honey-coloured, scorchingexcellent penetration capacityeasy to apply, easy to repairsuitable for children's toys in accordance with EN 71-3resistant to saliva and perspiration according to DIN 53160Free from biocidesfree of cobalt, lead and bariumveganFull declarationLinseed oil, linseed oil stand oil, wood oil stand oil, colophony glycerine ester, balsamic turpentine oil, manganese drierProcessingShake the product briefly before use. KREIDEZEIT Garden Furniture Oil is applied twice to untreated wood with intermediate drying. Intermediate sanding may be necessary before the second application.Mix containers of different batch numbers together before use. The product must not be poured onto surfaces!Clean and remove dust from untreated surfaces.KREIDEZEIT Garden Furniture Oil is ready to use and is applied undiluted. Please note: Garden furniture should be fitted with stainless steel screws and fittings, otherwise dark discolouration may occur when oil is applied.1. basic sandingSand new and weathered wood (grit P 80 - 100), round the edges. Do not sand any finer as the wood would otherwise be compacted and would not be able to absorb enough oil. New, smooth, planed or finely pre-sanded wood is better "opened up" by sanding. Remove dust thoroughly after sanding.2. first coatApply KREIDEZEIT Garden Furniture Oil evenly with a brush, cloth or sponge. After 10 - 20 minutes, rub the entire treated surface thoroughly with a dry, lint-free cloth until the surface has a uniform silky matt appearance. When rubbing, ensure that any oil that has not been absorbed is completely removed, as otherwise shiny or sticky areas may remain. KREIDEZEIT Garden Furniture Oil must penetrate the wood completely and must not form a layer on the wood. 3. intermediate sanding (optional) Intermediate sanding is only necessary if the surface has dried rough after the first coat, e.g. due to raised wood fibres. Intermediate sanding with sandpaper (grain size P 100 - 120) in the direction of the fibres. Remove dust thoroughly after sanding. 4. second coatRepeat the application of the first coat. Drying time Dry and recoatable at 20 °C and 60 % relative humidity after approx. 24 hours (or 48 hours on substrates containing tannin, oak, etc.). Suitable tools Paint brushes, solvent-compatible sponges, cotton clothsCleaning the tools Immediately after use, wash with balsamic turpentine oil and then with Olive Care Soap or Corfu Soap.
Content: 0.5 Litres (£22.84* / 1 Litres)
£11.42*
Kreidezeit linseed oil varnish, solvent-free
Kreidezeit Linseed Oil Varnish is a solvent-free surface protection that can be used indoors for wood surfaces subject to low levels of stress such as furniture, doors, beams, panelling and much more. The product can also be used as a primer for Kreidezeit stand oil paints and wood stains. Product information Safety data sheetThe central element is linseed oil, which is obtained from the flax or linseed plant by cold pressing the seeds under high pressure. The oil yield can be up to 90%. Although linseed oil dries under the effect of oxygen, it takes several weeks to dry properly, which is why drying agents are added to the linseed oil to reduce this time to 24-48 hours.Area of applicationUsed pure as a solvent-free surface protector for interior wooden surfaces subject to low levels of stress, classic oiled surfaces: furniture, doors, beams, panelling, etc. Suitable as a primer for subsequent coats with: opaque stand oil paints on all untreated woods pigmented wood stain on highly absorbent or weathered woodDilute linseed oil varnish in a ratio of 1:1 with balsamic turpentine oil (Art. 447) (=> half oil).For the production of oil paints according to your own recipes. When working on very dense, weakly absorbent and tannin-containing types of wood, a slight dilution with natural balsamic turpentine oil is recommended. Linseed oil guarantees a long "open" working time and deep penetration into even the smallest wood pores due to the small molecule size. This enables excellent cross-linking of the substrate with subsequent coats of oil.PropertiesDirt and water repellentResin-free, solvent-freeVery good cross-linking with oily subsequent coatsdoes not crack or become brittlediffusible, antistatic, warm to the touchtransparent, honey-coloured, scorchingexcellent penetration capacityeasy to apply, easy to repairsuitable for children's toys in accordance with EN 71-3resistant to saliva and perspiration according to DIN 53160free of cobalt, lead and bariumveganFull declaration
Linseed oil, manganese drierSubstrate preparation / basic sandingRemove resin pockets and old synthetic resin-based coatings. Sand new and weathered wood (grain size P 80 - 100), round edges. Do not sand finer as the wood would otherwise be compacted and would not be able to absorb enough oil. It is better to "open up" new, smooth, planed or finely pre-sanded wood by sanding. Remove dust thoroughly after sanding.ApplicationShake the product briefly before use.KREIDEZEITLinseed Oil Varnish is applied once or twice with intermediate drying. Intermediate sanding may be necessary before the second application. Mix containers of different batch numbers together before use. The product must not be poured onto surfaces!Clean and remove dust from untreated substrates.For good penetration, it is recommended to dilute the product with at least 20% balsamic turpentine oil for the first coat on very dense, low-absorbent and tannin-rich woods (e.g. oak).Please note: Exterior wood should be fitted with stainless metal screws and fittings, otherwise dark discolouration may occur when overcoating with oil. Processing and drying temperature at least 10 °C for at least 48 hours. 1. first coat Apply KREIDEZEIT Linseed Oil Varnish evenly with a brush, short-pile roller, cloth or sponge. After 10 - 20 minutes, rub the entire treated surface thoroughly with a dry, lint-free cloth until the surface has a uniform silky matt appearance.When rubbing down, ensure that any oil that has not been absorbed is completely removed, as otherwise shiny or sticky areas may remain. KREIDEZEIT Linseed Oil Varnish must penetrate the wood completely and must not form a layer on the wood. 2. intermediate sanding (optional) Intermediate sanding is only necessary if the surface has dried rough after the first coat, e.g. due to raised wood fibres. Intermediate sanding with sandpaper (grain size P 100 - 120) in the direction of the fibres. Remove dust thoroughly after sanding. 3. second coat (optional) A second coat may be necessary if used alone indoors or if a subsequent coat of stand oil paint is required on very absorbent or weathered wood. Repeat the application as for the first coat. 4. subsequent coats For subsequent coats, observe the product information for Stand Oil Paint or Wood Stain. 5. wax treatment Oiled surfaces generally do not require wax treatment. To increase the gloss, a final treatment with KREIDEZEIT Carnauba Wax Emulsion can be applied after 48 hours at the earliest. To do this, dilute 1 part emulsion with 2 parts water, apply evenly and thinly, allow to dry and polish as required.Drying time Dry and recoatable at 20 °C and 60 % relative humidity after approx. 24 hours (or 48 hours on substrates containing tannin, oak, etc.). High humidity, cold, substrates containing tannin significantly extend the drying time. Fully cured after approx. 4 weeks. During this time, use carefully and protect from water. Suitable toolsPaint brushes / surface brushes, short-pile rollers (Magic felt, Art. 6517), lint-free cloths, solvent-resistant plastic sponges Cleaning the toolsImmediately after use, wash with balsamic turpentine oil and then with Olive Care Soap or Corfu Soap.NoteDue to the content of natural oils, dark yellowing occurs on surfaces with low light incidence. When natural oils dry, a typical odour occurs which disappears over time. Unremoved iron filings on the substrate can lead to discolouration when the product is applied. Not recommended for use on the inside of closed cabinets, these are better treated with Shellac Varnish, Carnauba Wax Emulsion or Corfu Soap.Kreidezeit Linseed Oil Varnish can be tinted with Kreidezeit Earth and Mineral Pigments; to do this, first mix the pigments with a small amount of Linseed Oil Varnish and only then add to the total volume. Instructions
Content: 0.5 Litres (£14.08* / 1 Litres)
£7.04*
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Kreidezeit linseed oil/stand oil
Linseed oil stand oil is pre-dried linseed oil with a relatively long drying time; linseed oil varnish is linseed oil with a drying accelerator (manganese dryer).Linseed oil stand oil is produced on the basis of linseed oil and is used as an additive for linseed oil paints, as a binder for enamel paints, oil resin paints and printing inks.Linseed oil stand oil is a high-quality raw material for the production of oil paints and glazes.
Content: 0.5 Litres (£12.48* / 1 Litres)
£6.24* £8.02*
Kreidezeit Marseille Soap
Gebinde:
1,5 kg
Kreidezeit Marseille Soap is purely vegetable and can be used for cleaning floors and oiled surfaces as well as for brushes and rollers and for hand cleaning. Due to its good cold water solubility, it can also be used as a wood floor soap.Product informationIt is finely needled to increase its solubility. Marseille soap can be used in a variety of ways as it is produced without the addition of colourings, fragrances or preservatives and does not contain any artificial surfactants.Propertiesfinely needled, free-flowingpurely plant-basedEasily soluble in hot watermoisturising, with a caring effectNo foamingfree from colourings, fragrances and preservativesfree from additional surfactantsveganFull declarationNatural soaps from coconut and palm kernel oil, water, saltFloor cleaningCleaning of all types of smooth floors, especially for oiled or waxed cork, wood and tile flooring as well as for linoleum.Add 2 tbsp. Marseille soap with 1 litre of boiling water (kettle) and stir until the soap is dissolved. Then dilute with 7 litres of water and clean the floor as usual.Cleaning brushes and paint rollersPour 1 litre of boiling water (kettle) over 4 - 5 tablespoons of Marseille soap and stir until the soap is dissolved. Leave to cool for at least 30 minutes. Thoroughly wash out oil-soiled brushes and rollers with the soap solution.Dried, oil-stained tools can usually be cleaned by briefly boiling them in the soap solution.Soaping floorsIn some areas of Germany, it is customary to protect softwood floors and tables against soiling by simply "soaping" them. The light-coloured wood character is initially retained as far as possible. Over the years, a beautiful patina usually develops.Dissolve approx. 20 g of Marseille soap in 1 litre of boiling water. Apply the warm soap solution to the untreated wooden floor with a suitable brush, work in with a scrubbing brush and leave to dry. If necessary, repeat the process until the desired result is achieved or until the surface is covered with a wafer-thin film of soap. The soap application should be repeated from time to time, depending on wear, to ensure sufficient protection for the wood.Caution: Woods containing tannins, e.g. oak, can become very dark in colour. It is strongly recommended that test areas are created to assess the result before working on large areas.
Content: 1.5 Kilogramme (£16.35* / 1 Kilogramme)
£24.52*
Kreidezeit mould first aid kit
The ecological Kreidezeit Mould First Aid Kit is free from biocides and contains everything that can be used against minor mould infestations.Minor mould infestation can be found in the majority of homes today and can lead to significant health problems. According to the World Health Organisation (WHO), residents of such homes have an increased risk of developing respiratory infections and asthma as well as allergies. The Kreidezeit mould first aid kit offers a simple solution to such problems. The package contains completely ecological, vegan products that are also free of plastics and biocides and can be used to consistently prevent and combat mould.
Contents: 500 ml KREIDEZEIT alcohol 250 ml mould cracker 1 litre limewash paint 1 pair of rubber gloves 1 pair of safety goggles 1 professional flat brush 50 mm 1 mould information flyerProduct InformationAlcohol Safety Data Sheet Alcohol Product informationMouldcracker Safety data sheet Mouldcracker Product informationSump lime paint Safety data sheet Sump lime paint Our biocide-free solutionAlcohol removes minor mould stains with a one-off effect. Our pure alcohol can quickly and easily dissolve and remove mould stains. The mould is removed superficially, but this is only "first aid". Afterwards, the following products should be used as soon as possible: Mould Cracker encapsulates spores, binds them permanently and thus protects against their further spread. At the same time, the surface becomes highly alkaline, which prevents new growth. The mould cracker is not colourfast and should be painted over with marsh lime paint if necessary. It adheres to almost any surface and is also suitable, for example, for restoring infested back walls of cupboards. Effective for many months. Lime works best against fungi due to its long-lasting alkalinity. Lime paints are our tried and tested products for the permanent removal and colour masking of mould. A double coat is usually sufficient to prevent mould from returning. Our recommendations relate to mould infestation of max. 5 m². In the case of massive infestation of entire rooms or even buildings, a specialist should be called in. If in doubt, you can discuss your concerns with our technical advisors. Structural defects and special features can impair the effect of the products presented.
£35.66*
Kreidezeit mould remediation plaster
Gebinde:
25kg/Sack
Kreidezeit mould remediation plaster is characterised by its excellent water absorption capacity and is therefore particularly suitable for balancing out high levels of moisture in rooms and remediating mould infestation, as the condensation moisture is absorbed immediately.Product information flyer MouldThis proven product for combating mould is made from purely natural and mineral products and can be used on almost all mineral surfaces that are solid, absorbent and free of loose particles. These include, for example, lime, lime-cement, lime-gypsum and cement plasters, masonry and interior stone. Application on gypsum plaster, gypsum plasterboard, gypsum fibreboard on request.Suitable for use on all mineral substrates that are solid, absorbent and free of loose particles, such as lime, lime-cement, lime-gypsum and cement plasters, masonry, interior stone. Application on gypsum plaster, gypsum plasterboard, gypsum fibreboard on request.Not suitable for wood, wood-based materials, clay plasters, emulsion paints, natural resin emulsion paints, oil-based paints, plastic surfaces, distemper, glossy, non-absorbent and permanently damp substrates.PropertiesPowder for mixing with waterWhite, purely mineral finishing plaster of mortar group PI a made from air lime, marble sand and expanded vermiculiteMax grain size: 1.5 mmWater absorption: 1.0 litre / m² with 3 mm layer thicknessopen to diffusionwithout preservativescan be tinted up to 5 % with KREIDEZEIT pigmentsCan be painted over many times with KREIDEZEIT limewash paintveganFull declarationmarble lime hydrate, marble sand, expanded vermiculite, cellulose, methyl cellulosePrimerPre-wet absorbent substrates until saturated with clean water, preferably sintered lime water (Art. 169) and do not allow to dry.Mixing the plasterStir the powder into the specified quantity of clean, cold water using a powerful stirrer. Allow to swell for at least 15 minutes and stir again thoroughly before use.Water requirement0.35 - 0.40 litres / 1 kg powderIt is normal for the mixed plaster to thicken. The product must always be adjusted with water on site to achieve a good working consistency for the given substrate, i.e. the amount of water may need to be increased slightly.ApplicationApply 3-5 mm thick render to the pre-wetted substrate using a stainless steel trowel or notched trowel.Tip: Applying the plaster with an 8 x 8 mm notched trowel and then smoothing produces an application thickness of approx. 3 mm.After application, rub in with a sponge board or wooden float.Special notes: During the setting process (2 - 3 days), the plaster should only be allowed to dry slowly. During this time, moisten slightly 1 - 2 times. Take suitable precautions to prevent the plaster from drying out too quickly. Avoid draughts and direct sunlight. Temperatures during application and hardening should not be below 7°C or above 25 °C.Maximum application thickness 10 mm.Subsequent coatsOnly use KREIDEZEIT Swamp Lime Paint as a coating material, as other coating systems may impair the functionality of the plaster.Drying time in a normal climateAt least 1 day per mm application thickness. Low temperatures extend the drying time.Suitable toolsRecommended from the Kreidezeit range: Venetian trowel, spring steel trowelCleaning the toolsimmediately after use with water.
Content: 25 Kilogramme (£2.72* / 1 Kilogramme)
£68.11*
Kreidezeit pigments
Kreidezeit pigments are characterised by their universal applicability and harmonious interaction with each other. There is a choice of different earth, mineral and spinel pigments for tinting Kreidezeit wall paints, plasters, oil paints, oil glazes and wall glazes. All pigments are non-toxic and absolutely lightfast.Product information KREIDEZEIT pigments: Can be used universallyCan be kept indefinitely if stored dry and sealedDo not require any preservatives or other additives like conventional colour pastesAre alkali-resistantGenuine earth pigments have a special charmCan be mixed with each otherAre resistant to light and limeAre compatible with all KREIDEZEIT bindersYellow ochre, gold ochre, orange ochreNatural weathering product of ferrous rocks and minerals. The colouring substance is iron oxide hydrate. The country of origin is France, but yellow ochre is also found widely around the world.Red ochreEarth pigment produced by burning yellow ochre. The colouring components are iron(III) oxides.Sienna redEarth pigment produced by burning yellow Terra di Siena. In contrast to the ochres, terra di siena contains a certain amount of silicates.Umber greenish darkMixture of green mineral pigments (spinel green, spinel blue chrome oxide green) and marble powder.Iron oxide pigments (yellow, orange, red, brown, black)Pure synthetic rust, produced by precipitation reactions from aqueous iron sulphate solution. Very fine particles and extremely strong colours. The yellow and orange colours are iron(III) oxides with varying water of crystallisation content. Iron oxide brown contains additional inclusions of iron(II) oxide. The red iron oxides are formed by loss of water when the yellow iron oxide is heated to temperatures of 180°C to over 800°C. Black is a magnetic mixed oxide of iron(II) and iron(III) oxides, known in its natural form as magnetite.The red iron oxide pigments in particular can become cloudy / streaky in lime paints. However, experience has shown that they work very well in plasters and levelling compounds.UmbrenNatural earth pigments, the colouring components are iron hydrates with manganese oxide hydrates and alumina desilicates. Due to the manganese content, umbers have a drying-accelerating effect in oil colours. Umbers occur in different colour shades, depending on the iron oxide, manganese oxide and silicate content.Ultramarine (blue, violet)Artificial mineral pigments produced by heating soda, clay and sulphur. The ultramarine colours are exposed to different firing temperatures during production. Ultramarine violet is a mixture of ultramarine blue and red. They are considered lime-resistant, but lime products tinted with ultramarines must be processed within 24 hours. They are lightfast and weather-resistant, but not acid-resistant.As our atmosphere today is slightly acidic, ultramarine blue can only be used to a limited extent outdoors (can lead to black discolouration or even discolouration).Spinel pigmentsSpinel is a mineral from the oxide class of minerals that is rather rare in nature. The chemical name for spinel is magnesium aluminate; in its pure form it is colourless. Due to regionally varying additions of iron, chromium, zinc, cobalt or manganese, spinels come in a wide variety of colours. However, these are of a relatively pale, weak colour.Spinel pigments are so-called mixed-phase pigments and are technically produced by adding metal salts (cobalt, antimony, nickel, chromium, titanium) to natural ground spinels and exposing them to temperatures of 1200 to 1600°C in an oven, whereby an ion exchange takes place and the material is enriched to saturation with the metals used. This produces very strong colours.The metals are so firmly incorporated into the mineral structure that they are no longer bioavailable, i.e. they do not dissolve in the human body, during composting or in normal fires. Spinel blue / spinel turquoise / spinel mint: Cobalt chromium aluminate Co(Al,Cr)2O4 Spinel green: Cobalt titanate (Co,Ni,Zn)(Ti,Al)2O4 Spinel yellow: Nickel antimony titanate rutile (Ti,Ni,Sb)O2 Spinel orange: Chromium antimony titanate rutile (Ti,Cr,Sb)O2 Sun yellow is a mixture of spinel yellow and spinel orangeFor tinting our aqueous wall paints, wall glazes, plasters and waxes: first mix the pigments with a little water to form a lump-free slurry and then add to the desired product. For tinting our GekkkoSOL products: First slurry the pigments lump-free with a little GekkkoSol thinner and then add to the desired GekkkoSOL product.For tinting our oil-based paints, glazes, hard oils and waxes: First slurry the pigments with a little oil or balsamic turpentine oil without leaving any lumps and then add to the desired product.
Content: 0.175 Kilogramme (£54.00* / 1 Kilogramme)
£9.45*
Kreidezeit priming oil (semi-oil)
Kreidezeit priming oil (half oil) is a classic resin-free primer for interior and exterior oil paint coats. It contains 50% linseed oil varnish and 50% natural balsamic turpentine oil, making Kreidezeit (Priming Oil) vegan, made purely from natural raw materials and containing no "hidden" alkyd resins. Semi-oils have been used successfully for centuries as a primer for subsequent interior and exterior oil paints and are still very popular in painting techniques today.Coverage per coat 10 m²Consumption per m² 0.07 - 0.1 lExact consumption must be determined on the object.Product information The priming oil can be used for all types of untreated wood, cork, natural stone, terracotta and neutral plasters and can be applied to furniture, beams, panelling and much more. It has a water and dirt-repellent effect and, thanks to its high linseed oil content, is absorbed into the surface in the best possible way and causes the wood spores to be lined. This enables excellent cross-linking of the surface with subsequent oil-based coats.Also suitable as a sole treatment for interior surfaces subject to low levels of stress (classic oiled surface): Furniture, beams, panelling, etc.Thanks to the natural balsamic turpentine oil it contains, Priming Oil is ideal for all wooden surfaces and types of wood, including wood containing tannins and dense woods.KREIDEZEIT Priming Oil consists exclusively of natural oils. It contains no "hidden" alkyd resins, e.g. made from non-drying oils such as rapeseed, soya or sunflower oil.
Suitable as a primer for subsequent coats with:opaque stand oil paints on all untreated woodspigmented wood stain on highly absorbent or weathered woods
CharacteristicsDirt and water repellentResin-free, contains solventsVery good cross-linking with oily subsequent coatsDoes not crack or become brittlediffusible, antistatic, warm to the touchtransparent, honey-coloured, scorchingexcellent penetration capacityeasy to apply, easy to repairsuitable for children's toys in accordance with EN 71-3resistant to saliva and perspiration according to DIN 53160free of cobalt, lead and bariumveganFull declarationLinseed oil, balsamic turpentine oil, linseed oil stand oil, manganese drier
Content: 0.75 Litres (£19.73* / 1 Litres)
£14.80*
Kreidezeit Shellac Insulating Primer
Kreidezeit Shellac Isolating Primer is a primer that hardens and is used to block penetrating water, rust, soot or nicotine stains on all absorbent wall and ceiling surfaces such as plaster, wallpaper, wood and wood-based materials. Product information Safety data sheetShellac is a natural resin obtained from the secretion of female scale insects, which release it onto the branches to protect their offspring. This secretion is then harvested twice a year from the bushes, which are mainly found in the East Indies and Thailand, to produce different qualities. This so-called stick varnish then contains 60 - 80% pure shellac. This results in numerous applications in the pharmaceutical industry (dragee glazes), in insulating paints, wood polishes, finishes, chewing gums, inks and much more. Kreidezeit Shellac Insulating Primer can be painted over with Kreidezeit wall paints if required, but is unusable in combination with lime-containing plasters and should also not be used against penetrating moisture and on damp substrates. PropertiesInsulating and waterproofingWhite, opaque, matt Good grip due to slight surface roughness Fast drying Vapour-tight, non-absorbent easy to apply and economical Can be painted over with many paints Full declaration Fermentation alcohol (denatured with MEK, IPA, Bitrex), wax-free shellac, linseed oil varnish, titanium white, talc, quartz, silicic acidProcessingRemove dirt from the substrate as far as possible (brush off, wash off). Stir the product thoroughly before use and apply thinly and evenly to the dry substrate with a brush or roller. One coat is usually sufficient to block weak stains, for heavy stains apply 2-3 coats with intermediate drying and without intermediate sanding.Can be recoated with KREIDEZEIT wall paints after approx. 24 hours. For subsequent coats of white wall paint, the insulating primer can be applied selectively. For subsequent coats of coloured wall paint or wall glazes, the insulating primer must be applied over the entire surface, otherwise coloured marks may appear.
If too thick an application has resulted in shiny spots, the dried Shellac Insulating Primer must be sanded to a matt finish before painting over with wall paints. The product can be diluted with KREIDEZEIT Alcohol up to 10 % vol.Drying timeDust-dry after approx. 30 minutes. Dry and recoatable after approx. 12 hours at 20 °C.Cleaning the toolsImmediately after use with alcohol, then wash with Marseille Soap, Corfu Soap or Olive Care Soap and water.
Content: 0.375 Litres (£38.27* / 1 Litres)
£14.35*
Kreidezeit silvering glaze
The Kreidezeit silvering glaze is a silver-grey glazing coating. It is free from biocides, weatherproof and elastic. It is particularly suitable for rough-sawn, brushed wood surfaces in outdoor areas. Product information
Areas of application include wood panelling, beams, fences, play equipment, carports and much more. The glaze is also ideal for wooden decks.The special thing about Kreidezeit Silvering Glaze is that it makes wooden surfaces look more weathered or like aged, silvered softwoods. It gradually weathers off on the surface and enables an almost seamless transition to the natural patina of the softwoods.Also suitable for decorative purposes indoors.Unsuitable for dimensionally stable wood, e.g. windows, doors.
DilutionThe product is used undiluted, but can be diluted with balsamic turpentine oil as required.TintingSilvering glaze can be mixed with all coloured KREIDEZEIT wood stains and stand oil paints for additional colour shades. Do not tint with pigments.Propertiesready to useColour: silver-grey glazingdoes not burst, crack or flakeWeatherproof and elasticdiffusibleresistant to saliva and perspiration according to DIN 53160Solvent-based (natural balsamic turpentine oil)free from biocidesfree of cobalt, lead and bariumveganFull declarationLinseed oil, wood oil stand oil, linseed oil stand oil, balsamic turpentine oil, colophony glycerol ester, iron oxide pigments, titanium white, aluminium pigment, talc, swelling clay, silicic acid, manganese and calcium drierSubstrate requirementsThe substrate must be untreated, dust-free, clean, dry, grease-free, chemically neutral and absorbent. Processing temperature at least 10°C. Wood moisture content < 15%. Do not apply to damp wood!Substrate preparation / basic sandingRemove resin pockets and old synthetic resin-based coats.Sand smooth or planed wood (P60 - 80) or brush.Do not sand any finer as this will compact the wood and impair the function of the glaze. Remove dust thoroughly after sanding.PrimingThe surfaces must not be primed before applying the stainApplicationStir the product thoroughly before and occasionally during application. If the glaze has run together, brush it out of the corners with a brush. Stir containers of different batch numbers together before use. The product must not be poured onto surfaces!Clean and remove dust from untreated surfaces.KREIDEZEIT Silvering Glaze is applied undiluted.Processing and drying temperature at least 10 °C for at least 48 hours.ExteriorKREIDEZEIT Silvering Glaze is only applied once evenly in the direction of the wood.Two coats (with intermediate drying) are possible, but will produce a gloss.Indoors and wooden decks/patio boards:Basic sanding required, grain size P80-100. Apply KREIDEZEIT Silvering Glaze evenly in the direction of the wood. 10-20 minutes after application, wipe the entire treated surface with a dry, lint-free cloth until any glaze that has not been absorbed has been removed and the surface has an even, silky matt appearance.Caution with grooved/grooved boards: Use a dry brush to thoroughly wipe any oil that has not been absorbed out of the grooves, otherwise there is a risk of stickiness.Drying timeDry and recoatable at 20 °C and 60 % relative humidity after approx. 24 hours, on substrates containing tannin (oak, etc.) at least 48 hours.High humidity, cold and substrates containing tannins significantly extend the drying time.Fully cured after approx. 4 weeks.Suitable toolsPaintbrush. Do not spray or roll the product.Cleaning the toolsImmediately after use, wash with balsamic turpentine oil and then with olive care soap or Corfu soap.
Content: 0.75 Litres (£32.57* / 1 Litres)
£24.43*
Kreidezeit solid colour binder
In combination with Kreidezeit pigment, the Kreidezeit full-tone binder offers the excellent possibility of mixing full-tone wall colours according to your wishes.Video product informationDescription of the productWall colours can be made from individual pigments or from mixtures of two or more pigments. Individual and imaginative colours can be mixed in this way. The full-tone wall and ceiling paint for interior use can be applied to all load-bearing and absorbent plasters (clay, lime, gypsum, cement), fillers, woodchip, pure paper wallpaper, paper fleece, plasterboard, gypsum fibreboard and concrete and is also suitable for firmly adhering, matt and absorbent emulsion paints, provided a test surface has been created. Also suitable on firmly adhering, matt and absorbent emulsion paints after a test area has been created with positive results.The binder is very easy to apply, can be painted over several times and is wipe-resistant. It is also a vegan product.The full colour binder must be mixed with pigments in a ratio of 1:1 and must not be used unpigmented as a single coat.PropertiesPowder for mixing with waterEasy to processLow odourhighly permeable, antistaticwithout titanium whiteSmudge-proof and can be painted over several timesfree from preservativesfree from synthetic resin bindersveganFull declarationchalk, vegetable casein, china clay, cellulose, soda, methyl cellulosePrimerPrime all plasters, levelling compounds, filled drywall panels, concrete and old emulsion paints with Vega primer or casein primer and allow to dry completely. Do not prime paper fleece/paper wallpaper.Mixing the paintThe solid colour binder must be mixed with pigments in a 1:1 ratio, e.g. 1 kg solid colour binder (powder) + 1 kg pigment (powder).First stir the pigment lump-free into the required amount of clean, cold water and only then stir in the solid colour binder until the mixture is lump-free. Alternatively, the solid colour binder and the pigments can also be premixed dry beforehand and then stirred together in water. Use a powerful mixer (drill with whisk or kitchen mixer) to stir into water. Leave to soak for at least 30 minutes and stir well again before use.Water requirementThe amount of water required varies depending on the pigment used.Guide values for a mixture of 1kg solid colour, consisting of 500g solid colour binder and 500g pigment:1.25 litres of water Yellow ochre, red ochre, fawn umber, gold ochre, orange ochre, oxide orange, green umber, iron oxide black, ultramarine blue, ultramarine violet, spinel yellow, spinel turquoise, spinel blue, Spinel green, spinel orange, spinel mint, sun yellow, burnt umber, burnt Terra di Siena, iron oxide red 110, iron oxide red 130, iron oxide red 140, iron oxide red 180, burnt umber (Cyprus), chrome oxide green1.50 litres of water umber greenish dark, umber reddish, umber blackish brown, iron oxide yellow 930, iron oxide brown 610,1.75 litres of water sienna red, umber red-brown, iron oxide yellow 4202.00 litres of water Umbra dark, Umbra natural, Terra di Siena natural,DilutionIt is important not to apply the solid colours too thickly. This means that, depending on the substrate, the colours may need to be thinned further with water to achieve good spreadability.Brightening whiteFor lightening with white, the ready-mixed solid colours can be mixed in any ratio with KREIDEZEIT Vega Wall Paint or Clay Paint.ApplicationProcessing temperature at least 8°C.Stir occasionally during application.At least 2 coats are generally required for full coverage. Do not attempt to cover dark and high-contrast substrates with one coat; excessive application thicknesses can lead to paint damage (cracks)! Allow previous coats to dry completely before recoating.The colours will lighten considerably during drying.Painting Spread evenly with a façade brush in a criss-cross pattern.Rolling First apply a full and even coat in a crosswise motion, then immediately roll in one direction without applying any more material.The mixed paint must be applied on the same day. Do not continue to use bad or foul-smelling paint under any circumstances: Danger of long-lasting odour problems even after drying!Drying time in a normal climateCan be painted over after approx. 8 hours. Completely dry after approx. 24 hours.Suitable toolsGood medium pile paint rollers (polyamide) and brushes. Airless spraying equipment (min. 200 bar nozzle pressure).Cleaning the toolsImmediately after use with water.
Content: 0.5 Kilogramme (£15.88* / 1 Kilogramme)
£7.94*
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Kreidezeit stainless steel cleaner, tin 500 g
Kreidezeit stainless steel cleaner is a fine surface cleaner made from natural raw materials and can be used on steel, glass, enamel and chrome. There are numerous areas of application such as in the household, in the garden, in the workshop, for stainless steel grills and much more. There is also a viscose sponge made from renewable raw materials.
Content: 0.5 Kilogramme (£16.04* / 1 Kilogramme)
£8.02* £8.83*
Kreidezeit Stand Oil Paint, intermediate coat, semi-greasy
Kreidezeit Stand Oil Paint is a coloured, highly opaque and weather-resistant protective coating for interior and especially exterior wood that can be purchased ready to use.
Product information Function
The advantages of the resin- and biocide-free stand oil paint are, on the one hand, that it does not burst, flake or crack, but weathers slowly on the surface and can therefore be easily maintained by cleaning and repainting. On the other hand, the diffusible Kreidezeit Stand Oil Paint impresses with its high opacity. It can be used for a wide range of applications: e.g. windows, doors, wooden facades, timber framing, play equipment, fences, carports, beehives and can also be used to treat steel and zinc.
Only absolutely lightfast and weather-resistant earth and mineral pigments are used for pigmentation. The paint can be purchased in 14 different colour variants and in silver or gold, which can be mixed with each other. Many special colours are also available on request.
The stand oil colour can be applied after a three-coat application from "lean to bold" as follows:
1. priming oil, base coat with excellent penetration. 2. stand oil colour - semi-fat, silky matt to silky gloss coat with good filling effect. For intermediate and top coats. 3. stand oil colour - full fat, glossy top coat.
For surfaces with less gloss, Stand Oil Paint - Semi-Greasy - can alternatively be painted twice indoors and outdoors. Old oil paints and alkyd resin coatings can be painted over, but without guarantee. Unsuitable for floors, ovens, radiators and pipes, on rough-sawn wood, old synthetic resin-based paints and outdoors on horizontal surfaces.
Propertiesready to use Dirt and water repellent Very high covering power Does not burst, crack or flake Resin-free, weather-resistant and elasticdiffusible easy to maintain resistant to saliva and perspiration in accordance with DIN 53160 Free from biocides free of cobalt, lead and barium vegan
Full declaration
Linseed oil, linseed oil stand oil, wood oil stand oil, balsamic turpentine oil, zinc white, talcum, silicic acid, swelling clay, quartz, manganese, zirconium, calcium drier. Pigments depending on colour shade
Titanium white, iron oxide yellow / red / brown / black, nickel titanium yellow / orange, spinel blue, chrome oxide green, ochre redSurface preparation / basic sanding
Completely remove resin pockets, repeatedly damaged old coats as well as old acrylic-based coats and primers or coats of uncertain composition. For exterior use: soak absorbent cut edges and end grain areas with KREIDEZEIT resin oil and allow to dry for at least 24 hours.
Sand new and weathered wood as well as rough sawn wood (grit P 80 - 100), round the edges. Do not sand finer as the wood would otherwise be compacted and could not absorb enough oil. It is better to "open up" new, smooth, planed or finely pre-sanded wood by sanding. Sand shiny old oil or alkyd resin-based coats (grit size P 80 - 100). Remove dust thoroughly after sanding.
Application
Application and drying temperature at least 10 °C for at least 48 hours.
Stir the product thoroughly before use. Remove any oxidised skin caused by storage beforehand and do not stir in. Stir containers of different batch numbers together before processing. The product must not be poured onto surfaces!
Clean and remove dust from untreated surfaces.
Spread or roll the product thinly and evenly. Avoid or spread overlaps. Brush out any paint that has run together from corners with a smooth brush. Always apply subsequent coats only after the previous coat has completely dried.
Intermediate sanding
After priming or applying an intermediate coat, intermediate sanding may be necessary if the surface is rough or has dried too glossy, e.g. due to raised wood fibres. Intermediate sanding with sandpaper (grain size P 150 - 180) in the direction of the fibres. Remove dust thoroughly after sanding.
Painting on wood (interior and exterior)
1. primer
Prime normally absorbent wood and weathered, absorbent old oil or alkyd resin-based coats with priming oil. Thoroughly wipe the surface with a dry cloth after 10 minutes and remove any oil that has not been absorbed. Do not prime non-absorbent old coats.
2nd intermediate coat
with Stand Oil Colour - semi-fat
3. final coat
for silky surfaces
with Stand Oil Colour - semi-fat or final coat for glossy surfaces with Stand Oil Colour - full-fat
Coating structure on metal
Exterior steel: Mechanically remove rust, degrease and remove dust.
1. 2 primer coats
with rust protection paint, allow to dry for several days!
2. At least 1 top coat
with stand oil paint - full fat
In dry interior areas, it is not necessary to apply a primer coat of rust protection paint.
Zinc in outdoor areas:
Allow to weather for at least 1 year, wash off oxide layer with soapy water and scouring sponge (no steel wool!)
1st intermediate coat
with stand oil paint - semi-fat
2. final coat
with Stand Oil Colour -full fat-
Drying time
Dry and recoatable after approx. 24 hours at 20 °C and 60 % relative humidity.
Suitable tools
High-quality paint and ring brushes, short-pile paint rollers. Do not spray the product.
Cleaning the tools
Immediately after use, wash with balsamic turpentine oil and then with olive care soap or Corfu soap.
Content: 2.5 Litres (£34.27* / 1 Litres)
£85.68*
Kreidezeit Standölfarbe, Schlussanstrich, vollfett
Die Kreidezeit Standölfarbe ist ein farbiger, stark deckender und wetterbeständiger Schutzanstrich für Hölzer im Innen- und besonders im Außenbereich, der direkt verarbeitungsfertig gekauft werden kann.Produktinformationen Funktion Standöl MischtöneDie Vorteile, die die harz- und biozidfreie Standölfarbe mit sich bringt, ist zum einen, dass sie nicht platzt, blättert bzw. reißt, sondern langsam an der Oberfläche ab wittert und so durch einfaches Reinigen und Überstreichen gut instand gehalten werden kann. Zum anderen überzeugt die diffusionsfähige Kreidezeit Standölfarbe durch eine starke Deckkraft. Die Einsatzmöglichkeiten sind vielfältig: z.B Fenster, Türen, Holzfassaden, Fachwerke, Spielgeräte, Zäune, Carports, Bienenkästen und kann auch zur Behandlung von Stahl und Zink angewendet werden. Zur Pigmentierung werden ausschließlich absolut lichtechte und wetterbeständige Erd- und Mineralpigmente verwendet. Die Farbe kann in 14 unterschiedlichen Farbvarianten und in Silber bzw. Gold erworben werden, die untereinander mischbar sind. Auf Anfrage sind auch viele Sondertöne möglich.Die Standölfarbe kann nach einem dreischichtigen Anstrich von "mager nach fett" wie folgt aufgetragen werden: 1. Grundieröl, Grundanstrich mit exzellentem Eindringvermögen.
2. Standölfarbe -halbfett, seidenmatter bis seidenglänzender Anstrich mit guter Füllwirkung. Für Zwischen- und Schlußanstriche.
3. Standölfarbe -vollfett, glänzender Schlussanstrich.
Für Oberflächen mit weniger Glanz kann im Innen- wie Außenbereich alternativ auch nur zweimal Standölfarbe -halbfett-, gestrichen werden.Überstreichen alter Ölfarben und Alkydharzanstriche ist möglich jedoch unter Ausschluss einer Gewähr.
Ungeeignet für Fußböden, Öfen, Heizkörper und -rohre, auf sägerrauhem Holz, kunstharzbasierten Altanstrichen, sowie im Außenbereich auf waagerechten Flächen.
Eigenschaften
verarbeitungsfertig
schmutz- und wasserabweisend
sehr hohe Deckkraft
platzt, reißt, blättert nicht
harzfrei, wetterfest und elastisch
diffusionsfähig
leicht Instand zu halten
speichel- und schweißecht nach DIN 53160
frei von Bioziden
cobalt-, blei- und bariumfrei
vegan
Volldeklaration
Leinöl, Leinölstandöl, Holzölstandöl, Balsamterpentinöl, Zinkweiß, Talkum, Kieselsäure, Quellton, Quarz, Mangan-, Zirconium-, Calciumtrockner. Pigmente je nach Farbton
Titanweiß, Eisenoxidgelb / -rot / -braun / -schwarz, Nickeltitangelb / -orange, Spinellblau, Chromoxidgrün, Ocker rotUntergrundvorbereitung / Grundschliff
Harzgallen, mehrfach beschädigte Altanstriche sowie Altanstriche und Grundierungen auf Acrylbasis bzw. ungewisser Zusammensetzung restlos entfernen. Bei Anwendung im Außenbereich: saugende Schnittkanten und Hirnholzbereiche mit KREIDEZEIT Harzöl tränken und mind. 24 Stunden trocknen lassen.
Neue und verwitterte Hölzer sowie sägerauhes Holz schleifen (Körnung P 80 – 100), Kanten runden. Nicht feiner schleifen da das Holz sonst verdichtet wird und nicht genug Öl aufnehmen könnte. Neue, glatte, gehobelte oder fein vorgeschliffene Hölzer besser durch Schleifen “öffnen”. Glänzende Altanstriche auf Öl- oder Alkydharzbasis anschleifen (Körnung P 80 – 100). Nach dem Schleifen gründlich entstauben.
Verarbeitung
Verarbeitungs- und Trocknungstemperatur mind. 10 °C über mind. 48 Stunden.
Produkt vor der Verarbeitung gründlich aufrühren. Durch Lagerung entstandene Oxidationshaut zuvor abnehmen und nicht unterrühren. Gebinde verschiedener Chargennummern vor der Verarbeitung zusammenrühren. Das Produkt darf nicht auf Oberflächen ausgegossen werden !
Unbehandelte Untergünde reinigen und entstauben.
Produkt dünn und gleichmäßig streichen oder rollen. Überstände vermeiden bzw. verstreichen. Evtl. zusammengelaufene Farbe mit ausgestrichenem Pinsel aus Ecken herausstreichen. Folgeanstriche immer erst nach vollständiger Durchtrocknung des vorangegangenen Anstriches vornehmen.
Zwischenschliff
Nach Grundierung oder Zwischenanstrich kann ein Zwischenschliff erforderlich sein, wenn die Oberfläche rauh oder zu glänzend aufgetrocknet ist. z. B. durch aufgestellte Holzfasern. Zwischenschliff mit Schleifpapier (Körnung P 150 – 180) in Faserrichtung. Nach dem Schleifen gründlich entstauben.
Anstrich auf Holz (innen und außen)
1. Grundierung
Normalsaugende Hölzer und ausgewitterte, saugende Altanstriche auf Öl- oder Alkydharzbasis mit Grundieröl grundieren. Oberfläche nach 10 Minuten mit einem trockenen Lappen gründlich abreiben und nicht eingezogenes Öl entfernen. Nichtsaugende Altanstriche nicht grundieren.
2. Zwischenanstrich
mit Standölfarbe -halbfett3. Endanstrich für seidige Oberflächen
mit Standölfarbe -halbfettoder
Endanstrich für glänzende Oberflächen
mit Standölfarbe -vollfett-Anstrichaufbau auf Metall
Stahl im Außenbereich: Mechanisch entrosten, entfetten und entstauben.
1. 2 Grundieranstriche
mit Rostschutzfarbe, mehrere Tage durchtrocknen lassen!
2. mind. 1 Deckanstrich
mit Standölfarbe -vollfett- Im trockenen Innenbereich kann auf die Grundanstriche mit Rostschutzfarbe verzichtet werden.
Zink im Außenbereich:
Mind. 1 Jahr abwittern lassen, Oxidschicht mit Seifenwasser und Scheuerschwamm abwaschen (keine Stahlwolle!)
1. Zwischenanstrich
mit Standölfarbe -halbfett-2. Schlussanstrich
mit Standölfarbe -vollfett- Trockenzeit
Trocken und überarbeitbar bei 20 °C und 60 % rel. Luftfeuchte nach ca. 24 Stunden.
Geeignete Werkzeuge
hochwertige Lackier- und Ringpinsel, kurzflorige Lackwalzen. Produkt nicht spritzen.
Reinigung der Werkzeuge
Sofort nach Gebrauch mit Balsamterpentinöl und anschließend mit Oliven Pflegeseife oder Korfu Seife nachwaschen.
Content: 2.5 Litres (£34.27* / 1 Litres)
£85.68*
